{"id":6859,"date":"2018-03-08T15:44:09","date_gmt":"2018-03-08T15:44:09","guid":{"rendered":"http:\/\/wsf2018.com\/%e3%82%b7%e3%83%b3%e3%83%9d%e3%82%b8%e3%82%a6%e3%83%a0"},"modified":"2023-01-04T23:55:22","modified_gmt":"2023-01-04T23:55:22","slug":"%e3%82%b7%e3%83%b3%e3%83%9d%e3%82%b8%e3%82%a6%e3%83%a0","status":"publish","type":"page","link":"https:\/\/wsf2018.com\/ja\/%e3%82%b7%e3%83%b3%e3%83%9d%e3%82%b8%e3%82%a6%e3%83%a0","title":{"rendered":"\u30b7\u30f3\u30dd\u30b8\u30a6\u30e0"},"content":{"rendered":"<p>[vc_row][vc_column][vc_single_image image=&#8221;4839&#8243; img_size=&#8221;72&#215;120&#8243; alignment=&#8221;center&#8221;][\/vc_column][vc_custom_heading text=&#8221; \u5c3a\u516b\u30b7\u30f3\u30dd\u30b8\u30a6\u30e0&#8221; font_container=&#8221;tag:h3|text_align:center&#8221;][vc_custom_heading text=&#8221;\u30ed\u30f3\u30c9\u30f3\u3067\u306e\u5c3a\u516bWSF\u9031\u306f SOAS\u30fb\u5927\u5b66\u30ed\u30f3\u30c9\u30f3\u3067\u306e\u30b7\u30f3\u30dd\u30b8\u30a6\u30e0\u3067\u30b9\u30bf\u30fc\u30c8&#8221; font_container=&#8221;tag:p|text_align:center|color:%238d93a0&#8243; css=&#8221;.vc_custom_1516627124739{padding-bottom: 30px !important;}&#8221;][\/vc_row][vc_row width=&#8221;stretch_row&#8221; options=&#8221;window_height&#8221; vsc_parallax=&#8221;yes&#8221; vsc_bg_image=&#8221;4880&#8243; vsc_text_color=&#8221;#ffffff&#8221; css=&#8221;.vc_custom_1516629780277{padding-top: 250px !important;padding-bottom: 250px !important;}&#8221; vsc_bg_color=&#8221;rgba(255,255,255,0.52)&#8221;][vc_column][vc_custom_heading text=&#8221;\u5c3a\u516b\u30b7\u30f3\u30dd\u30b8\u30a6\u30e02018 \u82f1\u56fd\u3001\u30ed\u30f3\u30c9\u30f3\u5927\u5b66\u3001SOAS \u65e5\u4ed8\uff1a2018\u5e747\u670830\u65e5&#8221; font_container=&#8221;tag:h5|text_align:left|color:%23ffffff&#8221; css=&#8221;.vc_custom_1525204845382{padding-top: 20px !important;padding-right: 20px !important;padding-bottom: 20px !important;padding-left: 20px !important;background-color: rgba(6,110,154,0.6) !important;*background-color: rgb(6,110,154) !important;}&#8221; el_class=&#8221;heading-alt&#8221;][vc_custom_heading text=&#8221;Greetings&#8221; font_container=&#8221;tag:h5|text_align:left|color:%23ffffff&#8221; css=&#8221;.vc_custom_1525205416628{padding-top: 20px !important;padding-right: 20px !important;padding-bottom: 20px !important;padding-left: 20px !important;background-color: rgba(127,148,50,0.6) !important;*background-color: rgb(127,148,50) !important;}&#8221; el_class=&#8221;heading-alt&#8221;][vc_column_text css=&#8221;.vc_custom_1525205359822{padding-top: 20px !important;padding-right: 20px !important;padding-bottom: 15px !important;padding-left: 20px !important;background-color: rgba(255,255,255,0.86) !important;*background-color: rgb(255,255,255) !important;}&#8221;]<span style=\"color: #333333;\">The Shakuhachi Symposium held on the 30th July 2018 at SOAS, University of London received more than triple amount of abstracts we had slots for in our limited one-day conference. We send a heartfelt thank you to all of you who sent in these wonderful abstracts. Although it is a luxury to be able to select papers, this situation was not the best either as we had to reject perfectly worthy and academically qualified abstracts only due to the lack of space. We were astonished by just how many researchers around the world study the <em>shakuhachi<\/em> as an academic study. I have the feeling it is not the last Shakuhachi Symposium to be held.<\/span><\/p>\n<p><span style=\"color: #333333;\">I believe we have now a very fine Symposium coming up. It is a full day of excellent papers given by academics from UK, Japan, USA, Germany, Australia among others. The day will finish off with a Concert-presentation that will combine the top-quality performance and research.<\/span><\/p>\n<p><span style=\"color: #333333;\">I hope many Symposium participants will stay in London and participate in the World Shakuhachi Festival 2018, 1 &#8211; 4 August, Goldmsiths, University of London and vice versa.<\/span><\/p>\n<p><span style=\"color: #333333;\">2018 is surely going to be a <em>shakuhachi<\/em> highlight year in Europe! See you all at the Symposium and WSF2018 in London.<\/span><\/p>\n<p><span style=\"color: #333333;\">Kiku Day, Chair<\/span><br \/>\n<span style=\"color: #333333;\">Shakuhachi Symposium 2018 Programme Committee<\/span>[\/vc_column_text][vc_custom_heading text=&#8221;Preliminary Programme&#8221; font_container=&#8221;tag:h5|text_align:left|color:%23ffffff&#8221; css=&#8221;.vc_custom_1525204121184{padding-top: 20px !important;padding-right: 20px !important;padding-bottom: 20px !important;padding-left: 20px !important;background-color: rgba(127,148,50,0.6) !important;*background-color: rgb(127,148,50) !important;}&#8221; el_class=&#8221;heading-alt&#8221;][vc_column_text css=&#8221;.vc_custom_1525206521552{padding-top: 20px !important;padding-right: 20px !important;padding-bottom: 15px !important;padding-left: 20px !important;background-color: rgba(255,255,255,0.86) !important;*background-color: rgb(255,255,255) !important;}&#8221;]<span style=\"color: #066e9a;\"><strong>9h00 \u2013 9h15<\/strong><\/span><br \/>\n<span style=\"color: #333333;\"> Registration<\/span><\/p>\n<p><span style=\"color: #066e9a;\"><strong>\u20289h15 \u2013 9h30<\/strong><\/span><br \/>\n<span style=\"color: #333333;\"> Welcome, Kiku DAY<\/span><\/p>\n<p><span style=\"color: #066e9a;\"><strong>9h30 \u2013 11h30 <\/strong><\/span><br \/>\n<span style=\"color: #333333;\"> <strong>Panel 1 The common thread running through the history of the shakuhachi<\/strong><\/span><br \/>\n<span style=\"color: #333333;\"> 1: Sankyoku magazine and the representation of the shakuhachi as a ritual instrument in early 20th century Japan (Matt GILLAN)<\/span><\/p>\n<p><span style=\"color: #333333;\">2: Collaborating on a New Japanese Music: MIYAGI Michio and <em>Shakuhachi<\/em> Masters OSHIDA Seifu and NAKAO Tozan (Anne PRESCOTT)<\/span><\/p>\n<p><span style=\"color: #333333;\">3: Questions regarding the portrait of Roan (IZUMI Takeo)<\/span><\/p>\n<p><span style=\"color: #333333;\">4: (Re)constructing the <em>Reigaku Shakuhachi<\/em>: An Instrument without Tradition and a Tradition without<\/span><br \/>\n<span style=\"color: #333333;\"> History (Andrea BIOLAI)<\/span><\/p>\n<p><span style=\"color: #066e9a;\"><strong>11h30 \u2013 12h00<\/strong><\/span><br \/>\n<span style=\"color: #333333;\"> Break<\/span><\/p>\n<p><span style=\"color: #066e9a;\"><strong>12h00 \u2013 12h45 <\/strong><\/span><br \/>\n<span style=\"color: #333333;\"> <strong>SHIMURA Satoshi Zenpo keynote speech:: Is the Shakuhachi evolving?<br \/>\n<\/strong>The soul of the two types of shakuhachi in the contemporary shakuhachi world and the paths of the four different shakuhachi.<\/span><\/p>\n<p><span style=\"color: #066e9a;\"><strong>12h45 \u2013 13h45<\/strong><br \/>\nLunch<\/span><\/p>\n<p><span style=\"color: #066e9a;\"><strong>13h45 \u2013 15h45 <\/strong><\/span><br \/>\n<span style=\"color: #333333;\"> <strong>Panel 2 Connecting the history of shakuhachi with the present day<\/strong><\/span><br \/>\n<span style=\"color: #333333;\"> 5: Change and interpretation in the lineage of YOKOYAMA Katsuya (Lindsay DUGAN)<\/span><\/p>\n<p><span style=\"color: #333333;\">6: Shakuhachi Birdsongs: Mimesis and Transnationalism in New Compositions for the Instrument (Joe<\/span><br \/>\n<span style=\"color: #333333;\"> BROWNING)<\/span><\/p>\n<p><span style=\"color: #333333;\">7: My\u014dan Temple\u2019s Place in History and its Relationship to Today\u2019s Shakuhachi World (Christian MAU)<\/span><\/p>\n<p><span style=\"color: #333333;\">8: Beneficial relationships? Thoughts on the Connections between Shakuhachi Practitioners and Zen-Buddhism (Ingrid FRITSCH)<\/span><\/p>\n<p><span style=\"color: #066e9a;\"><strong>15h45 \u2013 16h15<\/strong><\/span><br \/>\n<span style=\"color: #333333;\">Break<\/span><\/p>\n<p><span style=\"color: #066e9a;\"><strong>16h15 \u2013 17h45 <\/strong><\/span><br \/>\n<span style=\"color: #333333;\"><strong>Panel 3 The shakuhachi, the instrument and its properties<\/strong><\/span><br \/>\n<span style=\"color: #333333;\"> 9: Sounding together: timbral similarities and dissimilarities in common <em>shakuhachi<\/em> &#8211; western instrument<\/span><br \/>\n<span style=\"color: #333333;\"> ensembles (Flora HENDERSON)<\/span><\/p>\n<p><span style=\"color: #333333;\">10: Acoustical comparison of the shakuhachi with the n\u014dkan (YOSHIKAWA Shigeru)<\/span><\/p>\n<p><span style=\"color: #333333;\">11: A Sympathetic Resonance: The shakuhachi and live electronic music (Mike MCINERNEY)<\/span><\/p>\n<p><span style=\"color: #066e9a;\"><strong>17h45 \u2013 18h00 <\/strong><\/span><br \/>\n<span style=\"color: #333333;\"> Break<\/span><\/p>\n<p><span style=\"color: #066e9a;\"><strong>18h00 \u2013 18h45<\/strong><\/span><br \/>\n<span style=\"color: #333333;\"><strong>David HUGHES keynote speech: My personal shakuhachi journey to the world of folk song (min\u2019y\u014d)<\/strong><\/span><\/p>\n<p><span style=\"color: #333333;\">Dinner\/break<\/span><\/p>\n<p><span style=\"color: #066e9a;\"><strong>20h30 \u2013 22h00 <\/strong><\/span><br \/>\n<span style=\"color: #333333;\"> <strong>Concert-Presentation (open to the general public)<\/strong><\/span><br \/>\n<span style=\"color: #333333;\"> Christopher Yohmei BLASDEL: R\u014dgeni-ji and Asahidake: The Waterfall that Inspired a Honkyoku<\/span><br \/>\n<span style=\"color: #333333;\"> David Kansuke II WHEELER: Eight Views of Lake Biwa: Sights and Sounds of the Floating World<\/span>[\/vc_column_text][vc_column_text css=&#8221;.vc_custom_1527534414480{border-top-width: 3px !important;border-right-width: 3px !important;border-bottom-width: 3px !important;border-left-width: 3px !important;padding-top: 20px !important;padding-right: 20px !important;padding-bottom: 15px !important;padding-left: 20px !important;background-color: rgba(255,255,255,0.86) !important;*background-color: rgb(255,255,255) !important;border-left-color: #066e9a !important;border-left-style: solid !important;border-right-color: #066e9a !important;border-right-style: solid !important;border-top-color: #066e9a !important;border-top-style: solid !important;border-bottom-color: #066e9a !important;border-bottom-style: solid !important;border-radius: 3px !important;}&#8221;]<\/p>\n<p style=\"text-align: left;\"><span style=\"color: #333333;\">You can download (PDF) of the programme and the abstracts <a href=\"https:\/\/files.wsf2018.com\/symposium\/SOAS-Shakuhachi-Symposium-30-July-Schedule+Abstracts-21.5.18.pdf\" target=\"_blank\" rel=\"noopener\">here<\/a>.<\/span><\/p>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;SOAS ROOM GUIDE&#8221; font_container=&#8221;tag:h5|text_align:left|color:%23ffffff&#8221; css=&#8221;.vc_custom_1525204968748{padding-top: 20px !important;padding-right: 20px !important;padding-bottom: 20px !important;padding-left: 20px !important;background-color: rgba(127,148,50,0.6) !important;*background-color: rgb(127,148,50) !important;}&#8221; el_class=&#8221;heading-alt&#8221;][vc_column_text css=&#8221;.vc_custom_1525204944814{padding-top: 20px !important;padding-right: 20px !important;padding-bottom: 15px !important;padding-left: 20px !important;background-color: rgba(255,255,255,0.86) !important;*background-color: rgb(255,255,255) !important;}&#8221;]<span style=\"color: #333333;\">The room for all presentations, including the keynote speeches, is <strong>Wolfson Lecture Theatre<\/strong>, Paul Webley Wing, North Block, Torrington Square,<\/span><br \/>\n<span style=\"color: #333333;\"> London WC1E 7HX.<\/span><\/p>\n<p><span style=\"color: #333333;\">Tea and coffee will be provided in the breaks noted in the programme. A basic lunch will be provided as a part of the cost of the conference registration fee. There is no dinner scheduled. <strong>The room for tea\/coffee and lunch is S209 in Paul Webley Wing<\/strong> &#8211; one floor above Wolfson Lecture Theatre.<\/span><\/p>\n<p><span style=\"color: #333333;\">The evening concert will take place at <strong>Djam Lecture Theatre <\/strong>(DLT) on ground floor in Philips Building, SOAS &#8211; just across from Paul Webley Wing.<\/span>[\/vc_column_text][vc_custom_heading text=&#8221;\u5b66\u4f1a\u767a\u8868\u306e\u52df\u96c6&#8221; font_container=&#8221;tag:h5|text_align:left|color:%23ffffff&#8221; css=&#8221;.vc_custom_1525204723820{padding-top: 20px !important;padding-right: 20px !important;padding-bottom: 20px !important;padding-left: 20px !important;background-color: rgba(127,148,50,0.6) !important;*background-color: rgb(127,148,50) !important;}&#8221; el_class=&#8221;heading-alt&#8221;][vc_column_text css=&#8221;.vc_custom_1518627596042{padding-top: 20px !important;padding-right: 20px !important;padding-bottom: 15px !important;padding-left: 20px !important;background-color: rgba(255,255,255,0.86) !important;*background-color: rgb(255,255,255) !important;}&#8221;]<span style=\"color: #066e9a;\"><strong>\u767a\u8868\u8981\u65e8\u63d0\u51fa\u671f\u9650\uff1a 2018\u5e743\u670816\u65e5\u91d1\u66dc\u65e5 <\/strong><\/span><\/p>\n<p><strong>\u53c2\u52a0\u8cbb\uff1a<\/strong>30\u30dd\u30f3\u30c9\uff08\u30c6\u30a3\u30fc\u3068\u30e9\u30f3\u30c1\u4ed8\uff09<\/p>\n<p><span style=\"color: #333333;\">\u5c3a\u516b\u30b7\u30f3\u30dd\u30b8\u30a6\u30e02018\u5b9f\u884c\u59d4\u54e1\u4f1a\u306f\u73fe\u5728\u3001\u82f1\u56fd\u30ed\u30f3\u30c9\u30f3\u30677\u670830\u65e5\u306b\u958b\u50ac\u3055\u308c\u308b\u30b7\u30f3\u30dd\u30b8\u30a6\u30e0\u306e\u767a\u8868\u8005\u3092\u52df\u3063\u3066\u3044\u307e\u3059\u3002 <\/span><\/p>\n<p><span style=\"color: #333333;\">\u5e45\u5e83\u3044\u5b66\u554f\u5206\u91ce\u3001\u4f8b\u3048\u3070\u6c11\u65cf\u97f3\u697d\u5b66\u3001\u30d1\u30d5\u30a9\u30fc\u30de\u30f3\u30b9\u7814\u7a76\u3001\u4eba\u985e\u5b66\u3001\u7f8e\u8853\u53f2\u3001\u793e\u4f1a\u5b66\u3001\u65e5\u672c\u7814\u7a76\u3001\u97f3\u97ff\u5b66\u3001\u6b74\u53f2\u5b66\u306a\u3069\u3042\u3089\u3086\u308b\u5206\u91ce\u304b\u3089\u306e\u767a\u8868\u3092\u52df\u96c6\u3057\u3066\u3044\u307e\u3059\u3002 \u3053\u306e\u5e83\u3044\u30a2\u30d7\u30ed\u30fc\u30c1\u304c\u3001 \u5c3a\u516b\u3092\u5439\u304f\u4eba\u3005\u3001\u697d\u5668\u3001\u97f3\u697d\u306e\u7814\u7a76\u306b\u65b0\u3057\u3044\u8996\u91ce\u3092\u5e83\u3052\u308b\u6a5f\u4f1a\u306b\u306a\u308b\u3053\u3068\u3092\u9858\u3063\u3066\u3044\u307e\u3059\u3002<br \/>\n\u540c\u3058\u304f\u30ed\u30f3\u30c9\u30f3\u3067\u30012\u65e5\u5f8c\u306b\u884c\u308f\u308c\u308b\u30ef\u30fc\u30eb\u30c9\u5c3a\u516b\u30d5\u30a7\u30b9\u30c6\u30a3\u30d0\u30eb\u3068\u5171\u306b\u3001\u3053\u306e \u30b7\u30f3\u30dd\u30b8\u30a6\u30e0\u306f\u3001\u5c3a\u516b\u306e\u7814\u7a76\u306b\u95a2\u3059\u308b\u5e45\u5e83\u3044\u30c6\u30fc\u30de\u306b\u3088\u3063\u3066\u77e5\u7684\u4ea4\u6d41\u306b\u523a\u6fc0\u7684\u306a\u52b9\u679c\u3092\u3082\u305f\u3089\u3059\u3053\u3068\u304c\u671f\u5f85\u3055\u308c\u307e\u3059\u3002 <\/span><\/p>\n<p><span style=\"color: #333333;\">\u5c3a\u516b\u306f\u4e2d\u56fd\u306e\u5510\u6642\u4ee3\u306b\u9061\u308b\u8208\u5473\u6df1\u3044\u6b74\u53f2\u3092\u6301\u3063\u3066\u3044\u307e\u3059\u3002\u5f53\u6642\u306f\u5bae\u5ef7\u97f3\u697d\u306e\u697d\u5668\u3067\u3082\u3042\u308a\u3001\u671d\u9bae\u3092\u7d4c\u3066\u65e5\u672c\u306b\u4f1d\u6765\u3057\u3001\u96c5\u697d\u3067\u3082\u4f7f\u7528\u3055\u308c\u307e\u3057\u305f\u304c\u300110\u4e16\u7d00\u306b\u306a\u308b\u3068\u96c5\u697d\u306e\u697d\u5668\u304b\u3089\u5916\u3055\u308c\u307e\u3057\u305f\u3002\u305d\u306e\u5f8c\u5c3a\u516b\u306f\u591a\u5c90\u306b\u5e83\u304c\u308a\u3001\u6570\u4e16\u7d00\u306b\u308f\u305f\u3063\u3066\u5c3a\u516b\u306e\u88fd\u7ba1\u65b9\u6cd5\u3082\u6539\u6b63\u3055\u308c\u300118\u4e16\u7d00\u306b\u81e8\u6e08\u5b97\u306e\u666e\u5316\u5b97\u6d3e\u306e\u865a\u7121\u50e7\u306e\u4fee\u884c\u7684\u30c8\u30ec\u30fc\u30cb\u30f3\u30b0\u306e\u305f\u3081\u306b\u4f7f\u308f\u308c\u305f\u6cd5\u5668\u306b\u306a\u308a\u307e\u3057\u305f\u3002<br 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