{"id":8256,"date":"2018-04-23T17:46:24","date_gmt":"2018-04-23T17:46:24","guid":{"rendered":"http:\/\/wsf2018.com\/%e3%82%b9%e3%82%b1%e3%82%b8%e3%83%a5%e3%83%bc%e3%83%ab\/symposium-schedule"},"modified":"2018-05-02T13:42:16","modified_gmt":"2018-05-02T13:42:16","slug":"%e3%82%b7%e3%83%b3%e3%83%9d%e3%82%b8%e3%82%a6%e3%83%a0-%e3%82%b9%e3%82%b1%e3%82%b8%e3%83%a5%e3%83%bc%e3%83%ab","status":"publish","type":"page","link":"https:\/\/wsf2018.com\/ja\/%e3%82%b9%e3%82%b1%e3%82%b8%e3%83%a5%e3%83%bc%e3%83%ab\/%e3%82%b7%e3%83%b3%e3%83%9d%e3%82%b8%e3%82%a6%e3%83%a0-%e3%82%b9%e3%82%b1%e3%82%b8%e3%83%a5%e3%83%bc%e3%83%ab","title":{"rendered":"\u30b7\u30f3\u30dd\u30b8\u30a6\u30e0\u30b9\u30b1\u30b8\u30e5\u30fc\u30eb"},"content":{"rendered":"<p>[vc_row][vc_column][vc_icon type=&#8221;lineicons&#8221; icon_lineicons=&#8221;icon icon-office-21&#8243; size=&#8221;lg&#8221; align=&#8221;center&#8221;][vc_custom_heading text=&#8221;\u5c3a\u516b \u30b7\u30f3\u30dd\u30b8\u30a6\u30e0&#8221; font_container=&#8221;tag:h3|text_align:center&#8221;][vc_custom_heading text=&#8221;Keynote speeches, paper presentations and a concert to start of the WSF2018 week&#8221; font_container=&#8221;tag:p|text_align:center|color:%238d93a0&#8243;][\/vc_column][\/vc_row][vc_row][vc_column][vc_custom_heading text=&#8221;7\u670830\u65e5\u6708\u66dc\u65e5\u30fb\u5c3a\u516b\u30b7\u30f3\u30dd\u30b8\u30a6\u30e0 SOAS&#8221; font_container=&#8221;tag:h5|text_align:center|color:%23ffffff&#8221; css=&#8221;.vc_custom_1525268521980{padding-top: 20px !important;padding-right: px !important;padding-bottom: 15px !important;padding-left: px !important;background-color: #7f9432 !important;background-position: center !important;background-repeat: no-repeat !important;background-size: contain !important;}&#8221; el_class=&#8221;heading-alt&#8221;][vc_column_text css_animation=&#8221;none&#8221; css=&#8221;.vc_custom_1524504661740{margin-top: 20px !important;padding-top: 20px !important;padding-right: 20px !important;padding-bottom: 15px !important;padding-left: 20px !important;background-color: rgba(34,34,34,0.06) !important;*background-color: rgb(34,34,34) !important;}&#8221;]<strong><span style=\"color: #066e9a;\">9h00 \u2013 9h15<\/span><\/strong><br \/>\nRegistration<\/p>\n<p><span style=\"color: #066e9a;\"><strong>\u20289h15 \u2013 9h30<\/strong><\/span><br \/>\nWelcome, Kiku Day<\/p>\n<p><strong><span style=\"color: #066e9a;\">9h30 \u2013 11h30<\/span> <\/strong><br \/>\n<strong>Panel 1 The common thread running through the history of the shakuhachi<\/strong><br \/>\n1: Sankyoku magazine and the representation of the <em>shakuhachi<\/em> as a ritual instrument in early 20th century Japan (Matt Gillan)<\/p>\n<p>2: Collaborating on a New Japanese Music: Miyagi Michio and Shakuhachi Masters Yoshida Seifu and Nakao<br \/>\nTozan (Anne Prescott)<\/p>\n<p>3: Questions regarding the portrait of Roan (Izumi Takeo)<\/p>\n<p>4: (Re)constructing the Reigaku Shakuhachi: An Instrument without Tradition and a Tradition without<br \/>\nHistory (Andrea Biolai)<\/p>\n<p><strong><span style=\"color: #066e9a;\">11h30 \u2013 12h00<\/span><\/strong><br \/>\nBreak<\/p>\n<p><strong><span style=\"color: #066e9a;\">12h00 \u2013 12h45\u00a0<\/span> <\/strong><br \/>\n<strong>Shimura Keynote speech: Is the Shakuhachi evolving? <\/strong>The soul of the two types of shakuhachi in the contemporary shakuhachi world and the paths of the four different shakuhachi.<\/p>\n<p><span style=\"color: #066e9a;\"><strong>12h45 \u2013 13h45<\/strong><br \/>\n<\/span>Lunch<\/p>\n<p><strong><span style=\"color: #066e9a;\">13h45 \u2013 15h45<\/span> <\/strong><br \/>\n<strong>Panel 2 Connecting the history of shakuhachi with the present day<\/strong><br \/>\n5: Change and interpretation in the lineage of Katsuya Yokoyama (Lindsay Dugan)<\/p>\n<p>6: Shakuhachi Birdsongs: Mimesis and Transnationalism in New Compositions for the Instrument (Joe<br \/>\nBrowning)<\/p>\n<p>7: My\u014dan Temple\u2019s Place in History and its Relationship to Today\u2019s Shakuhachi World (Christian Mau)\u20288: Beneficial relationships? Thoughts on the Connections between Shakuhachi Practitioners and Zen-Buddhism (Ingrid Fritsch)<\/p>\n<p><span style=\"color: #066e9a;\"><strong>15h45 \u2013 16h15<br \/>\n<\/strong><\/span>Break<\/p>\n<p><strong><span style=\"color: #066e9a;\">16h15 \u2013 17h45<\/span> <\/strong><br \/>\n<strong>Panel 3 The shakuhachi, the instrument and its properties<\/strong><br \/>\n9: Sounding together: timbral similarities and dissimilarities in common <em>shakuhachi<\/em> &#8211; western instrument<br \/>\nensembles (Flora Henderson)<\/p>\n<p>10: Acoustical comparison of the shakuhachi with the n\u014dkan (Yoshikawa Shigeru)\u202811: A Sympathetic Resonance: The shakuhachi and live electronic music (Mike McInerney)<\/p>\n<p><strong><span style=\"color: #066e9a;\">17h45 \u2013 18h00<\/span> <\/strong><br \/>\nBreak<\/p>\n<p><strong><span style=\"color: #066e9a;\">18h00 \u2013 18h45<\/span><\/strong><br \/>\n<strong>Hughes Keynote speech: My personal shakuhachi journey to the world of folk song (min\u2019y\u014d)<\/strong><\/p>\n<p>Dinner\/break<\/p>\n<p><strong><span style=\"color: #066e9a;\">20h30 \u2013 22h00<\/span> <\/strong><br \/>\n<strong>Concert-Presentation (open to the general public)<\/strong><br \/>\nChristopher Yohmei Blasdel: R\u014dgeni-ji and Asahidake: The Waterfall that Inspired a Honkyoku<br \/>\nDavid Kansuke Wheeler: Eight Views of Lake Biwa: Sights and Sounds of the Floating World[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1524501262274{margin-top: 50px !important;}&#8221;][vc_column][vc_custom_heading text=&#8221;SOAS \u6559\u5ba4\u30ac\u30a4\u30c9&#8221; font_container=&#8221;tag:h5|text_align:center|color:%23ffffff&#8221; css=&#8221;.vc_custom_1525266987744{padding-top: 20px !important;padding-right: px !important;padding-bottom: 15px !important;padding-left: px !important;background-color: #7f9432 !important;background-position: center !important;background-repeat: no-repeat !important;background-size: contain !important;}&#8221; el_class=&#8221;heading-alt&#8221;][vc_column_text css_animation=&#8221;none&#8221; css=&#8221;.vc_custom_1524505018942{margin-top: 20px !important;padding-top: 20px !important;padding-right: 20px !important;padding-bottom: 15px !important;padding-left: 20px !important;background-color: rgba(34,34,34,0.06) !important;*background-color: rgb(34,34,34) !important;}&#8221;]The room for all presentations, including the keynote speeches, is <strong>Wolfson Lecture Theatre<\/strong>, Paul Webley Wing, North Block, Torrington Square,<br \/>\nLondon WC1E 7HX.<\/p>\n<p>Tea and coffee will be provided in the breaks noted in the programme. A basic lunch will be provided as a part of the cost of the conference registration fee. There is no dinner scheduled. <strong>The room for tea\/coffee and lunch is S209 in Paul Webley Wing<\/strong> &#8211; one floor above Wolfson Lecture Theatre.<\/p>\n<p>The evening concert will take place at <strong>Djam Lecture Theatre <\/strong>(DLT) on ground floor in Philips Building, SOAS &#8211; just across from Paul Webley Wing.[\/vc_column_text][\/vc_column][\/vc_row][vc_row width=&#8221;stretch_row&#8221; vsc_bg_color=&#8221;rgba(255,255,255,0.52)&#8221; css=&#8221;.vc_custom_1513030435309{margin-top: 0px !important;padding-top: 100px !important;padding-bottom: 100px !important;}&#8221;][vc_column][vc_custom_heading text=&#8221;\u30ed\u30f3\u30c9\u30f3\u5927\u5b66\u3000SOAS 10 Thornhaugh Street, Russell Square, London WC1H 0XG&#8221; font_container=&#8221;tag:h6|text_align:left|color:%23ffffff&#8221; css=&#8221;.vc_custom_1525267074638{margin-bottom: 50px !important;padding-top: 20px !important;padding-right: 20px !important;padding-bottom: 20px !important;padding-left: 20px !important;background-color: #7f9432 !important;}&#8221; el_class=&#8221;heading-alt&#8221;]<div class=\"vncp-map\" data-latitude=\"51.5224\" data-longitude=\"-0.1293\" data-zoom=\"18\" data-icon=\"\" style=\"height: 500px;\"><\/div>[\/vc_column][\/vc_row][vc_row width=&#8221;stretch_row&#8221; options=&#8221;window_height&#8221; vsc_bg_repeat=&#8221;repeat-x&#8221; vsc_bg_size=&#8221;auto&#8221; vsc_bg_image=&#8221;4479&#8243;][vc_column][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_icon type=&#8221;lineicons&#8221; icon_lineicons=&#8221;icon icon-office-21&#8243; size [&hellip;]<\/p>\n","protected":false},"author":12,"featured_media":0,"parent":6894,"menu_order":23,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/wsf2018.com\/ja\/wp-json\/wp\/v2\/pages\/8256"}],"collection":[{"href":"https:\/\/wsf2018.com\/ja\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wsf2018.com\/ja\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wsf2018.com\/ja\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/wsf2018.com\/ja\/wp-json\/wp\/v2\/comments?post=8256"}],"version-history":[{"count":7,"href":"https:\/\/wsf2018.com\/ja\/wp-json\/wp\/v2\/pages\/8256\/revisions"}],"predecessor-version":[{"id":8365,"href":"https:\/\/wsf2018.com\/ja\/wp-json\/wp\/v2\/pages\/8256\/revisions\/8365"}],"up":[{"embeddable":true,"href":"https:\/\/wsf2018.com\/ja\/wp-json\/wp\/v2\/pages\/6894"}],"wp:attachment":[{"href":"https:\/\/wsf2018.com\/ja\/wp-json\/wp\/v2\/media?parent=8256"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}