{"id":8709,"date":"2018-05-31T14:16:03","date_gmt":"2018-05-31T14:16:03","guid":{"rendered":"http:\/\/wsf2018.com?page_id=8709"},"modified":"2018-07-28T23:59:39","modified_gmt":"2018-07-28T23:59:39","slug":"wsf2018-%e3%82%b9%e3%82%b1%e3%82%b8%e3%83%a5%e3%83%bc%e3%83%ab","status":"publish","type":"page","link":"https:\/\/wsf2018.com\/ja\/%e3%82%b9%e3%82%b1%e3%82%b8%e3%83%a5%e3%83%bc%e3%83%ab\/wsf2018-%e3%82%b9%e3%82%b1%e3%82%b8%e3%83%a5%e3%83%bc%e3%83%ab","title":{"rendered":"WSF2018 \u30b9\u30b1\u30b8\u30e5\u30fc\u30eb"},"content":{"rendered":"

[vc_row][vc_column][vc_icon type=”lineicons” icon_lineicons=”icon icon-office-21″ size=”lg” align=”center”][vc_custom_heading text=”WSF2018 \u30b9\u30b1\u30b8\u30e5\u30fc\u30eb” font_container=”tag:h3|text_align:center”][vc_custom_heading text=”WSF2018\u3067\u306f\u6bce\u65e5\u3069\u306e\u4f1a\u5834\u306e\u3069\u306e\u6559\u5ba4\u3067\u4f55\u304c\u958b\u50ac\u3055\u308c\u308b\u306e\u304b\u3059\u3070\u3084\u304f\u30c1\u30a7\u30c3\u30af” font_container=”tag:p|text_align:center|color:%238d93a0″][vc_custom_heading text=”2018\u5e747\u670831\u65e5 (\u706b) \u30ac\u30e9\u30fb\u30aa\u30fc\u30d7\u30cb\u30f3\u30b0\u30fb\u30b3\u30f3\u30b5\u30fc\u30c8\u30fb\u30e6\u30cb\u30aa\u30f3\u30fb\u30c1\u30e3\u30da\u30eb \u30ed\u30f3\u30c9\u30f3” font_container=”tag:h5|text_align:center|color:%23ffffff” css=”.vc_custom_1527084585104{margin-top: 150px !important;padding-top: 20px !important;padding-right: px !important;padding-bottom: 15px !important;padding-left: px !important;background-color: #f26d2b !important;background-position: center !important;background-repeat: no-repeat !important;background-size: contain !important;}” el_class=”heading-alt”][vc_custom_heading text=”20h00 \u2013 21h30<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1527084077882{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Gala Opening Concert<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1527084098560{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844056239{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527692794319{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Time: 20h00 (Doors open 19h00)
\nLocation: Union Chapel, Compton Terrace, Islington, London N1 2UN<\/p>\n

Concert Programme:<\/span><\/p>\n

    \n
  1. ZENYOJI Keisuke, shakuhachi<\/em> \u2013 Mukaiji<\/li>\n
  2. TANABE Shozan, shakuhachi<\/em>; MIYAZAKI Mieko, koto<\/em> \u2013 Midare (YATSUHASHI Kengyo)<\/li>\n
  3. SUTO Shuho, shakuhachi<\/em> \u2013 Sanya Seiran<\/li>\n
  4. David Kansuke II WHEELER, shakuhachi<\/em>; FUJIMOTO Akiko, shamisen<\/em>; SATO Kikuko, koto<\/em> \u2013 Onoe no Matsu (MIYAGI Michio)<\/li>\n
  5. KURAHASHI Yodo II, shakuhachi<\/em> \u2013 Kyorei<\/li>\n
  6. Aomori Min’y\u014d Association \u2013 min’y\u014d<\/li>\n
  7. John Kaizan NEPTUNE, shakuhachi<\/em>; Ligeti Quartet: Mandhira de SARAM, violin; Patrick DAWKINS, violin; Richard JONES, viola; Val WELBANKS, cello \u2013 Forest Trail and Currents (J. NEPTUNE)<\/li>\n
  8. Aomori Min\u2019yo Association \u2013 min\u2019y\u014d<\/em><\/li>\n
  9. FURUYA Teruo, KAKIZAKAI Kaoru, MATAMA Kazushi shakuhachi<\/em> \u2013 Watatsumi no Irokonomiya (FUKUDA Rando)<\/li>\n
  10. KAWASE Yosuke<\/em>, shakuhachi<\/em>; SASAKI Chikano koto<\/em>; HAGIOKA Yuko koto<\/em>;
    \nWATANABE Okahana, shamisen<\/em> \u2013 Usu no Koe\u3000(YAMATO Shorei III)<\/li>\n
  11. Riley LEE, shakuhachi<\/em>; Christopher Yohmei BLASDEL, shakuhachi<\/em> \u2013 Shika no T\u014dne<\/li>\n<\/ol>\n

    The exact content of the concerts and the order of pieces are still subject to change. The list above is provisional, and will be updated regularly.<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Mixed Programme<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23f2734f” css=”.vc_custom_1527084113196{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][\/vc_column][\/vc_row][vc_row][vc_column][vc_custom_heading text=”Wednesday 1 August 2018″ font_container=”tag:h5|text_align:center|color:%23ffffff” css=”.vc_custom_1521686487529{padding-top: 20px !important;padding-right: px !important;padding-bottom: 15px !important;padding-left: px !important;background-color: #066e9a !important;background-position: center !important;background-repeat: no-repeat !important;background-size: contain !important;}” el_class=”heading-alt”][\/vc_column][\/vc_row][vc_row][vc_column][vc_tta_tabs style=”outline” alignment=”center” active_section=”50″ css=”.vc_custom_1527543487525{margin-top: 0px !important;}”][vc_tta_section title=”LG 02″ tab_id=”lg02-day1″][vc_custom_heading text=”9h00 \u2013 9h40<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522858719086{margin-top: px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: px !important;padding-top: 25px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Robuki<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1527771775840{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522843582148{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527771791996{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]General gathering and announcements relevant for the day ahead followed by robuki<\/em>.[\/vc_column_text][vc_custom_heading text=”WSF2018 Team<\/mark><\/b>” font_container=”tag:p|font_size:0.8em|text_align:left” css=”.vc_custom_1522845582823{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”10h00 \u2013 11h10<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522859033894{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Large Workshop: ZENYOJI Keisuke – Mukaiji<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526761716940{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844056239{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527086417566{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Large workshop \u2018Mukaiji\u2019 delivered by ZENJOYI Keisuke.<\/p>\n

    Intermediate<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Great Solos<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23c55a11″ css=”.vc_custom_1527693679268{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”11h30 \u2013 12h40<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522859162635{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Large Workshop: KURAHASHI Yodo II \u2013 Akita Sugagaki<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526761702856{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844409284{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527086446519{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Large Workshop: KURAHASHI Yodo II presents the honkyoku (Kinko Ry\u016b) piece Akita Sugagaki.<\/p>\n

    Intermediate<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Great Solos<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23c55a11″ css=”.vc_custom_1527693691065{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”13h00 \u2013 14h00<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848249109{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Lecture: SHIMURA Zenpo, SHIMA Kazuhiko: Concerning the characteristics of famous Edo-period shakuhachi<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526761922726{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844543823{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527166222323{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Lecture by SHIMURA Zenpo and SHIMA Kazuhiko.<\/p>\n

    Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”The THING<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23066e9a” css=”.vc_custom_1522845508262{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”14h00 \u2013 15h10<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848221493{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Large Workshop: KAWASE Yosuke \u2013 Usu no Koe 1\/2<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526762235389{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844657315{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527086459399{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]KAWASE Yosuke presents ‘Usu no Koe’ with Yamada string accompaniment. Session 1 of 2.<\/p>\n

    Intermediate<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Golden Oldies<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23d09d30″ css=”.vc_custom_1527693737808{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”15h30 \u2013 16h40<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848190935{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: 0px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Large Workshop: KAWASE Yosuke \u2013 Usu no Koe 2\/2<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526762309997{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844850136{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527086468519{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]KAWASE Yosuke presents the second part of the workshop on ‘Usu no Koe\u2019. Again with Yamada string accompaniment.<\/p>\n

    Intermediate<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Golden Oldies<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23d09d30″ css=”.vc_custom_1527693752894{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”17h00 \u2013 18h00<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848154533{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: 0px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Lecture: Aomori Min’y\u014d Association – The Essence of Min’y\u014d<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1527166303661{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844970551{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527166416174{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Talk about the min\u2019y\u014d (Japanese folk music) music tradition lead by members of the Aomori Min’y\u014d Association.<\/p>\n

    Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Golden Oldies\/Min’y\u014d<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23d09d30″ css=”.vc_custom_1527693764489{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 50px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][\/vc_tta_section][vc_tta_section title=”LG 01″ tab_id=”lg01-day1″][vc_custom_heading text=”9h00 \u2013 9h40<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522858719086{margin-top: px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: px !important;padding-top: 25px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Late registration<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526762642490{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522843582148{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527004830937{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Another chance for you to register for the WSF2018. Don’t forget to bring your print-out of your ‘completed order’ email receipt and a passport sized photo with you.[\/vc_column_text][vc_custom_heading text=”WSF2018 Team<\/mark><\/b>” font_container=”tag:p|font_size:0.8em|text_align:left” css=”.vc_custom_1522845582823{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”10h00 \u2013 11h10<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522859033894{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: ISHIKAWA Toshimitsu \u2013 Ichijo<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526762901534{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844056239{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527086334302{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]ISHIKAWA Toshimitsu presents a masterclass on the piece \u2018Ichijo\u2019 by KINEYA Seiho, composed in 1970.<\/p>\n

    Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”New Sounds<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23f2734f%20%20%20″ css=”.vc_custom_1527693879184{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”11h30 \u2013 12h40<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522859162635{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: ISHIKAWA Toshimitsu \u2013 Kangen Hissho<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526762892179{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844409284{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527086638555{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]ISHIKAWA Toshimitsu presents Kangen Hissho by ICHIRO Higo, with koto accompaniment.<\/p>\n

    Intermediate<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”New Sounds<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23f2734f%20%20%20″ css=”.vc_custom_1527693902600{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”13h00 \u2013 14h00<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848249109{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Lecture: Gunnar Jinmei LINDER \u2013 Assessment of Methods of Transmission of Kinko Ry\u016b honkyoku<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526763158875{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844543823{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527678959759{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]In this lecture, Gunnar Jinmei LINDER will discuss the historical background to the transmission of Kinko honkyoku<\/em>, and the transition that has taken place more recently. He will also address the issue of method, and develop some of his ideas about the pros and cons of the direct method that has been and, more or less, still is the standard.<\/p>\n

    Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Great Solos<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23c55a11″ css=”.vc_custom_1527693920194{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”14h00 \u2013 15h10<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848221493{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: John Kaizan NEPTUNE \u2013 Shakuhachi Improvisation or ‘Composing Upon The Instant’ 1\/2<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1527679135636{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844657315{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527679111109{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]For all levels; bring a 1.8, and let\u2019s explore how to approach organising sound freely in many styles. Ideas covered will include \u201ctelling a story\u201d, rhythm, scales, and dramatic devices.<\/p>\n

    Intermediate<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”New Horizons<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23d31d54″ css=”.vc_custom_1527693815464{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”15h30 \u2013 16h40<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848190935{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: 0px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: John Kaizan NEPTUNE \u2013 Shakuhachi Improvisation or ‘Composing Upon The Instant’ 2\/2<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1527679157845{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844850136{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527679275314{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]The second part of NEPTUNE\u2019s workshop \u2013 For all levels; bring a 1.8, and let\u2019s explore how to approach organising sound freely in many styles. Ideas covered will include \u201ctelling a story\u201d, rhythm, scales, and dramatic devices.<\/p>\n

    Intermediate<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”New Horizons<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23d31d54″ css=”.vc_custom_1527693825417{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”17h00 \u2013 18h00<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848154533{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: 0px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Lecture: SEKI Ichiro \u2013 Japonism in Europe and Modernism in Japan 1\/2 <\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526991212425{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844970551{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527086386191{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]SEKI Ichiro gives a lecture about ‘Japonism in Europe and Modernism in Japan.’ The second part of SEKI’s lecture will be Saturday 4 August at 13h00 in RHB 167.<\/p>\n

    SEKI is a leading shakuhachi<\/em> performer and composer from Tokyo. He studied shakuhachi with YOKOYAMA Katsuya and composition with AOSHIMA Hiroshi, MIZUNO Shuko, MATSUDAIRA Yoriaki and TAKAHASHI Yuji.<\/p>\n

    Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”New Sounds<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23f2734f” css=”.vc_custom_1527693859023{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 50px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][\/vc_tta_section][vc_tta_section title=”RHB 167″ tab_id=”rhb167-day1″][vc_custom_heading text=”10h00 \u2013 11h10<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522859033894{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: KAWASE Yosuke \u2013 Yugao<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526763600953{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844056239{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527086675434{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]KAWASE Yosuke’s workshop presents ‘Yugao’, supported by the string players KIKUCHI Nakao and KITAMURA Keiko. (Ikuta style).<\/p>\n

    Intermediate<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Golden Oldies<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23d09d30″ css=”.vc_custom_1527694015021{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”11h30 \u2013 12h40<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522859162635{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: Aomori Min’y\u014d Association \u2013 min’y\u014d<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526764518428{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844409284{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527086666884{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Aomori Min’y\u014d Association (Aomori Min’y\u014d Ky\u014dkai) presents a min’y\u014d<\/em> workshop.<\/p>\n

    Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Golden Oldies\/Min’y\u014d<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23d09d30″ css=”.vc_custom_1527694032443{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”13h00 \u2013 14h00<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848249109{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Lecture: SEIAN Genshin \u2013 My\u014dan: The Future<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526764116369{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844543823{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527086753409{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Talk about the My\u014dan tradition by SEIAN Genshin, the 42nd kansu<\/em> of My\u014danji Temple in Sanuki, Japan.<\/p>\n

    Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Great Solos<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23c55a11″ css=”.vc_custom_1527693947911{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”14h00 \u2013 15h10<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848221493{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: SUGAWARA Kuniyoshi \u2013 Kaei<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526764315833{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844657315{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527086706851{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]SUGAWARA Kuniyoshi presents ‘Kaei’ composed by HOKI Makoto in 1985. Koto accompaniment by MIYAZAKI Mieko.<\/p>\n

    Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Golden Oldies<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23d09d30″ css=”.vc_custom_1527694045311{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”15h30 \u2013 16h40<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848190935{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: 0px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: Aomori Min’y\u014d Association \u2013 min’y\u014d” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526764594253{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844850136{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527086716432{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Aomori Min’y\u014d Association (Aomori Min’y\u014d Ky\u014dkai) presents a min’y\u014d<\/em> workshop.<\/b><\/p>\n

    Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Golden Oldies\/Min’y\u014d<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23c55a37″ css=”.vc_custom_1526764625886{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”17h00 \u2013 18h00<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1527166650356{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: 0px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Screening: Shakuhachi and the City<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526764652202{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844970551{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527166897113{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Programme tba<\/em><\/p>\n

    Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”New Horizons<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23d31d54″ css=”.vc_custom_1527693988190{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 50px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”21h30 \u2013 22h30<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1527166674598{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: 0px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Open Mic<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1527166538993{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844970551{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527166709027{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Participants’ informal playing session. Modalities tba.<\/em>[\/vc_column_text][vc_custom_heading text=”MIxed Programme<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23066e9a” css=”.vc_custom_1527693974742{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 50px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][\/vc_tta_section][vc_tta_section title=”RHB 281″ tab_id=”rhb281-day1″][vc_custom_heading text=”10h00 \u2013 11h10<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522859033894{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: OKUDA Atsuya \u2013 Hifumi Ch\u014d, Hachigaeshi 1\/2 <\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526765589978{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844056239{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527166944699{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]’Hifumi Ch\u014d, Hachigaeshi’ taught by Zensab\u014d jinashi<\/em> master player OKUDA Atsuya. This is a piece of modern honkyoku<\/em>. Zensab\u014d (\u7985\u8336\u623f) is the style of shakuhachi<\/em> playing taught by OKUDA. The \u2018school\u2019 was only created recently, but the honkyoku<\/em> taught and played there coming from the \u2018traditional\u2019 repertoire. The second part of the workshop follows immediately after the first part.<\/p>\n

    Elementary<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Great Solos<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23c55a11″ css=”.vc_custom_1527694148006{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”11h30 \u2013 12h40<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522859162635{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: OKUDA Atsuya \u2013 Hifumi Ch\u014d, Hachigaeshi 2\/2<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526838178465{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844409284{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527166964535{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Second part of the workshop.‘<\/em>Hifumi Ch\u014d, Hachigaeshi’ taught by Zensab\u014d jinashi<\/em> master player OKUDA Atsuya in the Zensab\u014d (\u7985\u8336\u623f) style.<\/p>\n

    Elementary<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Great Solos<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23c55a11″ css=”.vc_custom_1527694134937{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”14h00 \u2013 15h10<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848221493{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: Riley LEE – Ajikan<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526766123486{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844657315{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527167098999{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]\u2018Ajikan\u2019 comes originally from Itcho-ken Temple in Hakata (Fukuoka Prefecture) on the island of Kyushu.<\/p>\n

    Riley LEE began studying the shakuhachi in 1971 in Japan. In 1980 Riley became the first non-Japanese acknowledged as a shakuhachi dai shihan<\/em> (Grand Master). His teachers were HOSHIDA Ichizan II, SAKAI Chikuho II and YOKOYAMA Katsuya.<\/p>\n

    Intermediate<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Great Solos<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23c55a11″ css=”.vc_custom_1527694117790{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”15h30 \u2013 16h40<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848190935{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: 0px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: CODJO, H\u00e9l\u00e8ne; LIFERMANN Daniel \u2013 Shirabe Renbo<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526766238373{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844850136{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527681010610{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]H\u00e9l\u00e8ne Seiyu CODJO and Daniel Seisoku LIFERMANN present ‘Shirabe Renbo’ (Hijiri style). In this workshop, a duet will be taught that is based on the original ‘Honte Choshi’ with a second part in the pure Hijiri style, exploring expressivity and a large range of colour tones.<\/p>\n

    Intermediate<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Great Solos<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23c55a11″ css=”.vc_custom_1527694103631{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”17h00 \u2013 18h00<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848154533{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: 0px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Lecture: Riley LEE \u2013 Breath!<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526766493037{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844970551{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527167147587{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Assumptions underlying RILEY\u2019s Breathe!<\/em> workshop:<\/p>\n

      \n
    • There is an optimal way to breathe<\/li>\n
    • We are often not breathing optimally<\/li>\n
    • Simple breathing exercises can benefit almost everyone, especially shakuhachi<\/em> players<\/li>\n
    • Better breath awareness leads to better control over all aspects of our lives<\/li>\n
    • Tension hinders optimal breathing.<\/li>\n
    • Awareness encourages optimal breathing<\/li>\n<\/ul>\n

      Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”MInd\/Body<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23597fff” css=”.vc_custom_1527766522742{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 50px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][\/vc_tta_section][vc_tta_section title=”RHB 280″ tab_id=”rhb280-day1″][vc_custom_heading text=”10h00 \u2013 11h10<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522859033894{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: David Kansuke II WHEELER \u2013 Kinko Sankyoku Ornamentation<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526766738755{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844056239{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527167202425{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]In this workshop David Kansuke II WHEELER focuses on techniques related to sankyoku<\/em> ornamentation in the Kinko Ry\u016b style.<\/p>\n

      David WHEELER (Kansuke II) lived in Japan for twenty years studying and performing the shakuhachi<\/em> with some of Japan\u2019s finest traditional masters and ensembles, beginning study in Tokyo in 1977 with renowned shakuhachi<\/em> master KAWASE Junsuke III.<\/p>\n

      Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Golden Oldies<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23d09d30″ css=”.vc_custom_1527694182601{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”11h30 \u2013 12h40<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522859162635{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: Christopher Yohmei BLASDEL \u2013 Chidori<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526766841793{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844409284{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527677211516{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]’Chidori no Kyoku’ (Song of the Plovers) was composed by YOSHIZAWA Kengy\u014d II (1800\u30fc1872). The lyrics, taken from the Kokin Waka-sh\u016b 10th C. collection of Imperial Court poetry, consist of two songs about plovers. The tegoto<\/em> instrumental section features a counterpoint melody by the shakuhachi<\/em>, composed by YAMAGUCHI Goro.<\/p>\n

      String accompaniment is provided by YOKO Reikano Kimura. (Ikuta Ry\u016b style)<\/p>\n

      Elementary<\/em><\/span>Intermediate<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Golden Oldies<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23d09d30″ css=”.vc_custom_1527694192617{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”14h00 \u2013 15h10<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848221493{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: ISO Genmyo \u2013 Zen Meditation and Kyushu Reibo<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526767161772{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844657315{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527679492548{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]In this workshop we will begin by sitting zazen (on chairs) in order to prepare our breathing. Then we will play robuki<\/em>. ISO Genmyo will then lecture on ‘Kyushu Reibo’ from the Itchoken lineage. ISO Genmyo is the Head Priest of the Itchoken Temple and Myoan Ry\u016b koten honkyoku<\/em> player.<\/p>\n

      Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Mind\/Body<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23597fff” css=”.vc_custom_1527766591115{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”15h30 \u2013 16h40<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848190935{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: 0px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: MIZUNO Komei \u2013 Kurokami<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1527535115090{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844850136{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1532821938040{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]\u2018Kurokami\u2019 (\u9ed2\u9aea, \u2018Black Hair\u2019) (KOIDE Ichijuro I, d.1800 \/ KINEYA Sakichi ,I d.1807). This jiuta composition which became popular towards the end of the 18th century, depicts the loneliness of a woman sleeping alone, pining for her absent lover as the snow piles up outside. The vocal line requires considerable skill in order to express the emotive quality of the piece. String accompaniment by KURAHASHI Ayako.<\/p>\n

      Elementary<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Golden Oldies<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23d09d30″ css=”.vc_custom_1527694204446{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 50px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][\/vc_tta_section][vc_tta_section title=”RHB 268″ tab_id=”rhb268-day1″][vc_custom_heading text=”10h00 \u2013 11h10<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522859033894{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: NOMURA Hozan \u2013 Asa Kaze<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526770657812{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844056239{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527167429829{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Tozan master NOMURA Hozan presents \u2018Asa Kaze\u2019 with focus on the solo introduction. This is a piece of modern honkyoku<\/em> from the Tozan-ry\u016b and it was composed by TOZAN Nakao in 1938.<\/p>\n

      Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Great Solos<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23c55a11″ css=”.vc_custom_1527694263105{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”11h30 \u2013 12h40<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522859162635{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: TAJIMA Tadashi \u2013 Koden Suzuru<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526770776107{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844409284{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527167447937{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]TAJIMA Tadashi presents the piece \u2018Koden Suzuru\u2019, a honkyoku piece.<\/p>\n

      Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Great Solos<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23c55a11″ css=”.vc_custom_1527694272245{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”13h00 \u2013 14h00<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848249109{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”BEGINNERS WORKSHOP with Horacio CURTI<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526770943773{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844543823{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1526770998457{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”][\/vc_column_text][vc_custom_heading text=”Beginners Activity 1<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23066e9a” css=”.vc_custom_1527694334946{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”14h00 \u2013 15h10<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848221493{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: NOMURA Hozan \u2013 Kan Otsu 1\/2<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526771052686{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844657315{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527167485379{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]NOMURA Hozan introduces \u2018Kan Otsu\u2019, a modern piece composed for shakuhachi<\/em> by YAMAMOTO Hozan. The workshop\u2019s second part follows directly after.<\/p>\n

      Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Great Solos<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23c55a11″ css=”.vc_custom_1527694285525{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”15h30 \u2013 16h40<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848190935{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: 0px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: NOMURA Hozan \u2013 Kan Otsu 2\/2<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526771067613{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844850136{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527167548736{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]The second part of the workshop. NOMURA Hozan introduces \u2018Kan Otsu\u2019, a modern piece composed for shakuhachi<\/em> by YAMAMOTO Hozan.<\/p>\n

      Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Great Solos<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23c55a11″ css=”.vc_custom_1527694294846{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”17h00 \u2013 18h00<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848154533{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: 0px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”BEGINNERS WORKSHOP with Horacio CURTI<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526771181236{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844970551{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1526771188973{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”][\/vc_column_text][vc_custom_heading text=”Beginners Activity 2<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23066e9a” css=”.vc_custom_1527694313082{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 50px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][\/vc_tta_section][vc_tta_section title=”RHB 164″ tab_id=”rhb164-day1″][vc_custom_heading text=”10h00 \u2013 11h10<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522859033894{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: Horacio CURTI \u2013 Improvisation with Sound Materials<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526771293910{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844056239{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527676299443{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]The development of our sound should not be a tedious task but a joyful exploration of the riches the instrument has to offer, while researching on our own ideals. We will work with sound and strategies to improve it as well as reflecting on important aspects of posture both in relation to sound and to the musical performance.<\/p>\n

      Intermediate<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”New Horizons<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23d31d54″ css=”.vc_custom_1527694363448{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”11h30 \u2013 12h40<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522859162635{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: V\u00e9ronique PIRON \u2013 Breton Influences: Finis Terrae<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526771558183{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844409284{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527678864098{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]’Finis-Terrae’ (End of Earth) is the name of the most western part of Brittany (West of France), the place of V\u00e8ronique PIRON’s roots, and the title of her very first composition (2008). It is an encounter between some simple melodies (from traditional songs) and rythmical patterns (from bagpipes), specially matching with the specific language of the shakuhachi<\/em>.<\/p>\n

      Elementary<\/em><\/span>Intermediate<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”New Horizons<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23d31d54″ css=”.vc_custom_1527694373922{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”14h00 \u2013 15h10<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848221493{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: FURUYA Teruo, KAKIZAKAI Kaoru & MATAMA Kazushi \u2013 Honkyoku Basics<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526771768087{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844657315{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527167652884{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]FURUYA Teruo, KAKIZAKAI Kaoru and MATAMA Kazushi, the three most senior players and teachers of YOKOYAMA Katsuya\u2019s school, will introduce some basic concepts about playing honkyoku.<\/em><\/p>\n

      Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Great Solos<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23c55a11″ css=”.vc_custom_1527694423728{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”15h30 \u2013 16h40<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848190935{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: 0px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: TANABE Shozan \u2013 Kari<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526771896771{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844850136{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527167777187{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]TANABE Shozan preesents the solo version of ‘Kari’, a composition by YAMAMOTO Hozan.<\/p>\n

      Intermediate<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”New Sounds<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23f2734f” css=”.vc_custom_1527694405713{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”17h00 \u2013 18h00<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848154533{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: 0px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Lecture: Clive BELL \u2013 New Shakuhachi in the UK and Harry Potter Snakes<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526772144265{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844970551{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527681210760{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Clive BELL\u2019s shakuhachi<\/em> career has ranged from the Harry Potter movie soundtrack to improvised collaboration with sound sculptor NAKAJIMA Rie at Cafe Oto \u2013 via Karl JENKIN\u2019s Requiem. How comfortable is the shakuhachi<\/em> \u2013 or the player \u2013 in these varying contexts? Clive shares his thoughts.<\/p>\n

      Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”New Horizons<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23d31d54″ css=”.vc_custom_1527694387691{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 50px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][\/vc_tta_section][vc_tta_section title=”RHB 163″ tab_id=”rhb163-day1″][vc_custom_heading text=”10h00 \u2013 11h10<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522859033894{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Lecture: John Kaizan NEPTUNE \u2013 Taming the Wild Bore: Fundamentals of Shakuhachi Acoustics 1\/2<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1527676545585{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844056239{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527676532825{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]How many times have you looked down inside a shakuhachi and wondered: \u201cJust where does that sound come from? Why does every piece of bamboo have a unique sound?\u201d The movement of air inside a shakuhachi<\/em> is extremely complex, but there is beauty and order to the natural universe that is magical. Part 2 of John Kaizan NEPTUNE’s lecture\/demonstration follows at 11h30.<\/p>\n

      Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”The Thing<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23066e9a” css=”.vc_custom_1527694456803{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”11h30 \u2013 12h40<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522859162635{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Lecture: John Kaizan NEPTUNE \u2013 Taming the Wild Bore: Fundamentals of Shakuhachi Acoustics 2\/2<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1527676589573{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844409284{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527676908019{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Continuation of NEPTUNE\u2019s lecture\/demonstration about his approach to making shakuhachi<\/em>.<\/p>\n

      Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”The Thing<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23066e9a” css=”.vc_custom_1527694467645{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”14h00 \u2013 15h10<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848221493{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: Jos\u00e9 Seizan VARGAS \u2013 Talking with the Wild, Jinashi Making Practical Examples 1\/2<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1527679533651{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844657315{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527679584190{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]At this workshop, we will work with existing flutes, to improve the tuning, response, balance, tone and volume of the jinashi shakuhachi<\/em>, demonstrating some techniques involved, like moving holes, testing and touching inside the bore, utaguchi<\/em> adjustments, etc. Participants are encouraged to bring their flutes and try the techniques themselves, or to have their jinashi<\/em> flutes tested and perhaps adjusted. Part 2 at 15h30.<\/p>\n

      Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”The Thing<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23066e9a” css=”.vc_custom_1527694477864{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”15h30 \u2013 16h40<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848190935{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: 0px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: Jos\u00e9 Seizan VARGAS \u2013 Talking with the Wild, Jinashi Making Practical Examples 2\/2<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1527679543830{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844850136{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527679679705{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Jos\u00e9 Seizan VARGAS presents the second part of his practical workshop about jinashi shakuhachi<\/em>.<\/p>\n

      Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”The Thing<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23066e9a” css=”.vc_custom_1527694488688{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”17h00 \u2013 18h00<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848154533{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: 0px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: TAKAHASHI Toyomi \u2013 Bamboo, the Plant, and Bamboo Harvesting<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526772638456{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844970551{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527167964027{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]TAKAHASHI Toyomi, player and maker, talks about ‘Bamboo, the plant, and bamboo harvesting’.<\/p>\n

      Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”The Thing<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23066e9a” css=”.vc_custom_1527694499572{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 50px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][\/vc_tta_section][vc_tta_section title=”SHOP” tab_id=”shop-day1″][vc_custom_heading text=”10h00 \u2013 20h00<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1526772803969{margin-top: px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: px !important;padding-top: 25px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Shakuhachi Bazaar WSF2018<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526772813940{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522843582148{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1526772951664{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 0px !important;padding-left: 25px !important;}”]A WSF is also a great opportunity to stock up, for example, on difficult to obtain shakuhachi<\/em> CDs, notation and, with many of great makers being present, an excellent time to purchase a new instrument or other merchandise.<\/p>\n

      The Shakuhachi Bazaar WSF2018 in RHB 150 provides materials from a variety of sellers and is open all day. There, you will also be able to get that official WSF2018 T-Shirt![\/vc_column_text][vc_custom_heading text=”Shop RHB150<\/mark><\/b>” font_container=”tag:p|font_size:0.8em|text_align:left” css=”.vc_custom_1526772982932{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][\/vc_tta_section][vc_tta_section title=”GREAT HALL” tab_id=”greathall-day1″][vc_custom_heading text=”13h00 \u2013 14h00<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1526823275930{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Lunchtime Concert<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526823295132{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844056239{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527863360989{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Concert Programme:<\/span><\/p>\n

        \n
      1. David Hughes, Gina Barnes & Aomori Min’yo Association, shakuhachi<\/em> \u2013 Shimotsui Bushi<\/li>\n
      2. MIURA Ryuho, shakuhachi<\/em> \u2013 Daha<\/li>\n
      3. Yoshie Asano CAMPBELL, voice; Aomori Min’yo Association, shakuhachi<\/em> \u2013 Akita Ondo, Kagoshima Oharabushi<\/li>\n
      4. Elizabeth Reian BENNET, shakuhachi<\/em> \u2013 tba<\/em><\/li>\n
      5. SEKI Ichiro, shakuhachi<\/em> \u2013 Kikyo Genso Kyoku<\/li>\n<\/ol>\n

        The exact content of the concerts and the order of pieces are still subject to change. The list above is provisional, and will be updated regularly.<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Golden Oldies<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23d09d30″ css=”.vc_custom_1527694545357{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”20h00 \u2013 21h30<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1526823454594{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Evening Concert<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526823497169{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844409284{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527692903007{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]
        \nConcert Programme:<\/span><\/p>\n

          \n
        1. KURAHASHI Yodo II, shakuhachi<\/em> \u2013 Jinbo Sanya<\/li>\n
        2. FUJIYOSHI Etsuzan, shakuhachi<\/em> \u2013 Shirahone Reibo<\/li>\n
        3. OBAMA Akihito, KAWAMURA Kizan, KURODA Reison, shakuhachi<\/em> \u2013 A Sketch of Gray Wind (SATO Toshinao)<\/li>\n
        4. SUGAWARA Kuniyoshi, shakuhachi<\/em> \u2013 Kata Ashi Torii No Eizo (SATO Toshinao)<\/li>\n
        5. NOMURA Hozan, shakuhachi<\/em> \u2013 Yoru no Omoi (TOZAN Nakao)<\/li>\n
        6. Christopher Yohmei BLASDEL, shakuhachi<\/em>; KIMURA Yoko Reikano, koto<\/em> \u2013 Chidori no Kyoku (YOSHIZAWA Kengyo)<\/li>\n
        7. Riley LEE, shakuhachi<\/em> \u2013 Ryuhei<\/li>\n
        8. KAWASE Yosuke, shakuhachi <\/em>\u2013 tba<\/em><\/li>\n<\/ol>\n

          The exact content of the concerts and the order of pieces are still subject to change. The list above is provisional, and will be updated regularly.<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Mixed Programme<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23066e9a” css=”.vc_custom_1527694528573{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][\/vc_tta_section][vc_tta_section title=”TOWN HALL” tab_id=”townhall-day1″][vc_custom_heading text=”17h00 \u2013 18h15<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1526825094641{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Afternoon Concert<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526825110859{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844056239{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527863408655{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Concert Programme:<\/span><\/p>\n

            \n
          1. FUJIYOSHI Etsuzan, shakuhachi<\/em> \u2013 MIYAGAWA Nyozan den Shirabe & Ajikan<\/li>\n
          2. KODAMA Hiroyuki, shakuhachi<\/em> \u2013 Betsuden Shika no T\u014dne<\/li>\n
          3. LEE Chuan-Hung, shakuhachi<\/em> \u2013 Tsuru no SUGOMORI<\/li>\n
          4. Michael Chikuzen GOULD, shakuhachi<\/em> \u2013 Bosatsu (TANIGUCHI Yoshinobu)<\/li>\n
          5. HOSHIIDA Ichizan, shakuhachi<\/em> \u2013 Kogetsu ch\u014d<\/li>\n
          6. YAMADA Fumio, shakuhachi<\/em> \u2013 T\u014dri, Shirabe<\/li>\n<\/ol>\n

            The exact content of the concerts and the order of pieces are still subject to change. The list above is provisional, and will be updated regularly.<\/span>[\/vc_column_text][vc_custom_heading text=”Great Solos<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23c55a11″ css=”.vc_custom_1527694584323{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][\/vc_tta_section][vc_tta_section title=”St JAMES” tab_id=”st-james-day1″][vc_custom_heading text=”13h00 \u2013 14h00<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1526825375822{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Lunchtime Concert<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526848484040{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844056239{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527084959257{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Concert Programme:<\/span><\/p>\n

              \n
            1. SUGAWARA Kuniyoshi, shakuhachi<\/em>; MIYAZAKI Mieko, koto<\/em> \u2013 Kaei (HOKI Makoto)<\/li>\n
            2. Daniel Seisoku LIFERMANN, shakuhachi<\/em>; H\u00e9l\u00e8ne Seiyu CODJO, shakuhachi<\/em> \u2013 Hamori (ATSUKI Sumi)<\/li>\n
            3. TANABE Shozan, shakuhachi<\/em>, tba, koto<\/em> \u2013 Shizuka Naru Toki (SAWADA Joji)<\/li>\n
            4. KIKUCHI Naoko, koto<\/em> \u2013 Tori no yo ni (SAWAI Tadao)<\/li>\n
            5. KURODA Reison, shakuhachi<\/em> \u2013 Ran Gyoku (HIGO Ichiro)<\/li>\n
            6. Suizan LAGROST, shakuhachi<\/em>; MIYAZAKI Mieko, koto<\/em> \u2013 Ichikotsu (YAMAMOTO Hozan)<\/li>\n<\/ol>\n

              The exact content of the concerts and the order of pieces are still subject to change. The list above is provisional, and will be updated regularly.<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”New Sounds<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23f2734f%20%20″ css=”.vc_custom_1527694617601{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][\/vc_tta_section][\/vc_tta_tabs][\/vc_column][\/vc_row][vc_row][vc_column][vc_custom_heading text=”Thursday 2 August 2018″ font_container=”tag:h5|text_align:center|color:%23ffffff” css=”.vc_custom_1526825748512{padding-top: 20px !important;padding-right: px !important;padding-bottom: 15px !important;padding-left: px !important;background-color: #066e9a !important;background-position: center !important;background-repeat: no-repeat !important;background-size: contain !important;}” el_class=”heading-alt”][\/vc_column][\/vc_row][vc_row][vc_column][vc_tta_tabs style=”outline” alignment=”center” active_section=”20″][vc_tta_section title=”LG 02″ tab_id=”lg02-day2″][vc_custom_heading text=”9h00 \u2013 9h40<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522858719086{margin-top: px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: px !important;padding-top: 25px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Robuki<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1527771743682{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522843582148{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527771760444{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]General gathering and announcements relevant for the day ahead followed by robuki<\/em>.[\/vc_column_text][vc_custom_heading text=”WSF2018 Team<\/mark><\/b>” font_container=”tag:p|font_size:0.8em|text_align:left” css=”.vc_custom_1522845582823{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”10h00 \u2013 11h10<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522859033894{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Large Workshop: SUGAWARA Kuniyoshi \u2013 Ito to take no toki 1\/2<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526826518207{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844056239{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527535595480{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]SUGAWARA Kuniyoshi presents ‘Ito to take no toki’ by SAWAI Hikaru. The second part of the workshops follows immediately afterwards at 11h30.<\/p>\n

              Koto<\/em> and jushichigen<\/em> accompaniment provided by KIKUCHI Naoko and KITAMURA Keiko.<\/p>\n

              Intermediate<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”New Horizons<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23d31d54″ css=”.vc_custom_1527767825195{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”11h30 \u2013 12h40<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522859162635{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Large Workshop: SUGAWARA Kuniyoshi \u2013 Ito to take no toki 2\/2<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526826530620{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844409284{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527535619381{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]SUGAWARA Kuniyoshi presents ‘Ito to take no toki’ by SAWAI Hikaru. The second part of the workshop.<\/p>\n

              Koto<\/em> and jushichigen<\/em> accompaniment provided by KIKUCHI Naoko and KITAMURA Keiko.<\/p>\n

              Intermediate<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”New Sounds<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23f2734f” css=”.vc_custom_1527768248841{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”13h00 \u2013 14h00<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848249109{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Lecture: David Kansuke II WHEELER \u2013 The Shakuhachi Diaspora<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526826723985{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844543823{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527535673496{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]David Kansuke II WHEELER explores the notion of the \u2018The Shakuhachi Diaspora\u2019.<\/p>\n

              Kansuke lived in Japan for twenty years studying and performing the shakuhachi <\/em>with some of Japan\u2019s finest traditional masters and ensembles, beginning study in Tokyo in 1977 with renowned shakuhachi<\/em> master KAWASE Junsuke III.<\/p>\n

              Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”MIXED Themes<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23066e9a” css=”.vc_custom_1526826764649{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”14h00 \u2013 15h10<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848221493{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Large Workshop: MIZUNO Komei \u2013 Shika no T\u014dne 1\/2<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1527535804064{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844657315{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527535724712{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Chikumeisha player MIZUNO Komei presents the classic honkyoku<\/em> duet ‘Shika no T\u014dne’. Session 1 of 2.<\/p>\n

              Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Great Solos<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23c55a11″ css=”.vc_custom_1527767141673{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”15h30 \u2013 16h40<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848190935{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: 0px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Large Workshop: MIZUNO Komei \u2013 Shika no T\u014dne 2\/2<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1527535773367{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844850136{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527535789851{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Second part of Chikumeisha player MIZUNO Komei’s class on ‘Shika no T\u014dne’.<\/p>\n

              Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Great Solos<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23c55a11″ css=”.vc_custom_1527767154981{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”17h00 \u2013 18h00<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848154533{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: 0px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Lecture: Riley LEE \u2013 Hachigaeshi\/Returning the Bowl \u2013 What Does That Really Mean?<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526827139651{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844970551{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527535855301{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Riley LEE speaks about the well known honkyoku<\/em> piece ‘Hachigaeshi’ (Returning the Bowl).<\/p>\n

              LEE began studying the shakuhachi<\/em> in 1971 in Japan. In 1980 Riley became the first non-Japanese acknowledged as a shakuhachi dai shihan<\/em> (Grand Master). His teachers were HOSHIDA Ichizan II, SAKAI Chikuho II and YOKOYAMA Katsuya.<\/p>\n

              Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Great Solos<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23c55a11″ css=”.vc_custom_1527767174052{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 50px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][\/vc_tta_section][vc_tta_section title=”LG 01″ tab_id=”lg01-day2″][vc_custom_heading text=”9h00 \u2013 9h40<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522858719086{margin-top: px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: px !important;padding-top: 25px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”ESS Meeting<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526827434194{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522843582148{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527004864457{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]The Annual General Meeting of the ESS committee and ESS members.[\/vc_column_text][vc_custom_heading text=”ESS Members<\/mark><\/b>” font_container=”tag:p|font_size:0.8em|text_align:left” css=”.vc_custom_1526827632625{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”10h00 \u2013 11h10<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522859033894{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: FURUYA Teruo, KAKIZAKAI Kaoru & MATAMA Kazushi \u2013 San’an 1\/2<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526906820856{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844056239{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527535903501{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]The three main teachers from the Kokusai Shakuhachi Kensh\u016bkan (KSK) present one of the major honkyoku<\/em> pieces of their lineage: San\u2019an. The workshop\u2019s second part follows immediately afterwards at 11h30.<\/p>\n

              Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Great Solos<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23c55a11″ css=”.vc_custom_1527767200456{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”11h30 \u2013 12h40<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522859162635{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: FURUYA Teruo, KAKIZAKAI Kaoru & MATAMA Kazushi \u2013 San’an 2\/2<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526906835817{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844409284{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527535933890{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]FURUYA Teruo, KAKIZAKAI Kaoru & MATAMA Kazushi present the second part of their workshop on one of the major honkoku<\/em> pieces of their lineage: San\u2019an.<\/p>\n

              Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Great Solos<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23c55a11″ css=”.vc_custom_1527767212213{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”13h00 \u2013 14h00<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848249109{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”ESS Meeting<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526827852832{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844543823{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1526827815178{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]<\/p>\n

              Continuation of ESS meeting if necessary.<\/p>\n

              [\/vc_column_text][vc_custom_heading text=”ESS Members<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23066e9a” css=”.vc_custom_1527767229427{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”14h00 \u2013 15h10<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848221493{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: Aomori Min’y\u014d Association \u2013 min’y\u014d<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526827965726{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844657315{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527535968665{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Aomori Min\u2019y\u014d Association (Aomori Min\u2019y\u014d Ky\u014dkai) presents a min\u2019y\u014d<\/em> workshop.<\/p>\n

              Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Golden Oldies\/Min’y\u014d<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23d09d30″ css=”.vc_custom_1527768285028{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”15h30 \u2013 16h40<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848190935{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: 0px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”tba<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526828064763{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844850136{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1526828032415{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]No activity scheduled yet.
              \n<\/em>[\/vc_column_text][vc_custom_heading text=”<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23c55a37″ css=”.vc_custom_1526828078727{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”17h00 \u2013 18h00<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848154533{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: 0px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Lecture: Frank DENYER \u2013 The Music of Frank DENYER<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526828111079{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844970551{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527684047232{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]The composer, ethnomusicologist and scholar Frank Denyer is one of the most important non-Japanese composers for shakuhachi<\/em>, having written numerous pieces, many of which were performed and recorded by IWAMOTO Yoshikazu. In this lecture, Denyer discusses his works for shakuhachi<\/em> and his compositional aesthetic.<\/p>\n

              Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”New Horizons<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23d31d54″ css=”.vc_custom_1527767864435{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 50px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][\/vc_tta_section][vc_tta_section title=”RHB 167″ tab_id=”rhb167-day2″][vc_custom_heading text=”10h00 \u2013 11h10<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522859033894{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: NOMURA Hozan \u2013 Kogarashi 1\/2<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526828506759{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844056239{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527536075430{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]NOMURA Hozan prsents ‘Kogarashi’. Session 1 of 2, continues at 11h30.<\/p>\n

              Intermediate<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Great Solos<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23c55a11″ css=”.vc_custom_1527767250221{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”11h30 \u2013 12h40<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522859162635{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: NOMURA Hozan \u2013 Kogarashi 2\/2<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526828602496{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844409284{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527536098984{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]NOMURA Hozan presents the second part of his workshop on ‘Kogarashi’.<\/p>\n

              Intermediate<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Great Solos<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23c55a11″ css=”.vc_custom_1527767261630{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”13h00 \u2013 14h00<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848249109{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Lecture: IZUMI Takeo \u2013 Shakuhachi players in art: history and flow<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1527536403911{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844543823{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527683576058{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]If you hear the word shakuhachi<\/em> you immediately think of komus\u014d<\/em>. When was this connection first made? Historically speaking, this is unknown. As the the Fuke sect which the komus\u014d<\/em> belonged to in the Edo period forged documents, it is hard to pinpoint the truth. Instead we can change our viewpoint and use dated artwork featuring shakuhachi<\/em> players to try and find an answer.<\/p>\n

              IZUMI has worked as a curator at the Osaka City Museum of Fine Arts, a researcher at the Kyoto National Museum, and a professor at Tohoku University. He is Professor Emeritus at Tohoku University and also an honourary librarian at Kyoto National Museum.<\/p>\n

              Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Great Solos<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23c55a11″ css=”.vc_custom_1527767274536{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”14h00 \u2013 15h10<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848221493{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: HOSHIDA Ichizan \u2013 Momiji 1\/2<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526828832899{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844657315{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527536303384{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]HOSHIDA Ichizan presents ‘Momiji’, a modern honkyoku<\/em> composed by NAKAO Tozan in 1929. The second part of the workshop follows immediately afterwards at 15h30.<\/p>\n

              Elementary<\/em><\/span>Intermediate<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Great Solos<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23c55a11″ css=”.vc_custom_1527767290880{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”15h30 \u2013 16h40<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848190935{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: 0px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: HOSHIDA Ichizan \u2013 Momiji 2\/2<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526828869164{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844850136{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527536320842{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Second part of HOSHIDA Ichizan’s workshop on ‘Momiji’, a modern honkyoku composed by NAKAO Tozan in 1929.<\/p>\n

              Elementary<\/em><\/span>Intermediate<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Great Solos<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23c55a11″ css=”.vc_custom_1527767303434{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”17h00 \u2013 18h00<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848154533{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: 0px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Screening: Shakuhachi and the City<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526764652202{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844970551{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527536272026{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Programme tba<\/em><\/p>\n

              Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”New Horizons<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23d31d54″ css=”.vc_custom_1527767889087{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 50px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”21h30 \u2013 22h30<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1526838430332{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: 0px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Late Evening Concert<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526838273692{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844970551{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527693618441{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Concert Programme:<\/span><\/p>\n

                \n
              1. Tatiana RIVERA, shakuhachi; <\/em>Dmitry KALININ, shakuhachi<\/em> \u2013 tba<\/em><\/li>\n
              2. Joke VERDOOLD, shakuhachi; <\/em>Albert Jan SCHOUTEN, <\/em>violin \u2013 Inori no Wa (Joke VERDOOLD)<\/li>\n
              3. Luigi Antonio IRLANDINI, shakuhachi<\/em> \u2013 \u0100k\u0101\u015ba (1st movement) (Luigi Antonio IRLANDINI)<\/li>\n
              4. JIN Huxing, shakuhachi<\/em> \u2013 tba<\/em><\/li>\n
              5. Rachel RUDICH, shakuhachi<\/em> \u2013 tba<\/em><\/li>\n<\/ol>\n

                The exact content of the concerts and the order of pieces are still subject to change. The list above is provisional, and will be updated regularly.<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Mixed Programme<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23066e9a” css=”.vc_custom_1527767320990{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 50px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][\/vc_tta_section][vc_tta_section title=”RHB 281″ tab_id=”rhb-day2″][vc_custom_heading text=”10h00 \u2013 11h10<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522859033894{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: Gunnar Jinmei LINDER \u2013 Kiku no Tsuyu 1\/2<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526837391849{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844056239{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527681447618{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Gunnar Jinmei LINDER presents \u2018Kiku no Tsuyu\u2019 composed by HIROHASHI K\u014dt\u014d (1740?\u2013) with songtext by FUKUSHIN. ‘Kiku no Tsuyu’ is a short hauta<\/em>-style piece, which is technically quite accessible but demanding in its mode of expression. The title means ‘Dewdrops on the Chrysanthemum’, alluding to the vanity of life, especially an unhappy lovelife, symbolised by the shortlived morning dewdrops. Some interpret it as a requiem for a past lover. The second part, at 11h30, will be with shamisen<\/em> accompaniment.<\/p>\n

                Elementary<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Golden Oldies<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23d09d30″ css=”.vc_custom_1527768312181{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”11h30 \u2013 12h40<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522859162635{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: Gunnar Jinmei LINDER \u2013 Kiku no Tsuyu 2\/2<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526837419949{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844409284{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527536486827{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]The second part of Gunnar Jinmei LINDER\u2019s workshop on \u2018Kiku no Tsuyu\u2019. FUJIMOTO Akiko or SATO Kikuko will provide shamisen<\/em> accompaniment.<\/p>\n

                Elementary<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Golden Oldies<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23d09d30″ css=”.vc_custom_1527768345261{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”13h00 \u2013 14h00<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848249109{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Lecture: KODAMA Hiroyuki \u2013 Deep into the wild, how a jinashi shakuhachi is made<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526837562088{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844543823{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527536507149{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Jinashi<\/em> player and maker, KODAMA Hiroyuki talks about his approach to jinashi<\/em> making.<\/p>\n

                Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”The Thing<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23066e9a” css=”.vc_custom_1527767348380{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”14h00 \u2013 15h10<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848221493{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: KURAHASHI Yodo II \u2013 Jinbo San’ya 1\/2<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526837807018{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844657315{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527536582221{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]KURAHASHI Yodo II teaching \u2018Jinbo San\u2019ya\u2019. This is the the first part of the workshop, the second part follows immediately afterwards at 15h30.<\/p>\n

                Intermediate<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Great Solos<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23c55a11″ css=”.vc_custom_1527767365121{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”15h30 \u2013 16h40<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848190935{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: 0px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: KURAHASHI Yodo II \u2013 Jinbo San’ya 2\/2<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526837850666{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844850136{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527536604132{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]The second part of KURAHASHI Yodo\u2019s workshop on \u2018Jinbo San\u2019ya\u2019.<\/p>\n

                Intermediate<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Great Solos<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23c55a11″ css=”.vc_custom_1527767377683{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”17h00 \u2013 18h00<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848154533{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: 0px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Lecture: Ralph SAMUELSON \u2013 Injuries in Shakuhachi and How to Avoid Them<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526838024592{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844970551{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527684102627{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Many shakuhachi<\/em> players suffer from hand pain but may be reluctant to talk about it. Ralph SAMUELSON has been challenged by repetitive strain injuries for more than 20 years and will share modalities from East and West that have helped him on his journey. Coping, healing, and recovery require both mental and physical strategies.<\/p>\n

                Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”MInd\/Body<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23597fff” css=”.vc_custom_1527767927039{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 50px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][\/vc_tta_section][vc_tta_section title=”RHB 280″ tab_id=”rhb280-day2″][vc_custom_heading text=”10h00 \u2013 11h10<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522859033894{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: David HUGHES, Aomori Min’yo Association \u2013 Kokiriko, Akita Daikokumai 1\/2<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526839188548{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844056239{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527536652433{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]David HUGHES and Aomori Min’y\u014d Association invite you to join to play min’y\u014d<\/em> pieces ‘Kokiriko’ and ‘Akita Daikokumai’. Session 1 of 2, second part follows immediately afterwards at 11h30.<\/p>\n

                Elementary<\/em><\/span>Intermediate<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Golden Oldies\/Min’y\u014d<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23d09d30″ css=”.vc_custom_1527768362933{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”11h30 \u2013 12h40<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522859162635{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: David HUGHES, Aomori Min’yo Association \u2013 Kokiriko, Akita Daikokumai 2\/2<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526839198471{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844409284{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527536678648{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Second part: David HUGHES and Aomori Min’y\u014d Association invite you to join to play min’y\u014d<\/em> pieces ‘Kokiriko’ and ‘Akita Daikokumai’.<\/p>\n

                Elementary<\/em><\/span>Intermediate<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Golden Oldies\/Min’y\u014d<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23d09d30″ css=”.vc_custom_1527768377636{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”14h00 \u2013 15h10<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848221493{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: Gunnar Jinmei LINDER \u2013 Kaede no Hana<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526839717174{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844657315{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527683681746{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Gunnar Jinmei LINDER introduces ‘Kaede no Hana’, composed by MATSUZAKA Shun\u2019ei (1854\u20131920) with songtext by OZAKI Shishio (1834\u20131909). ‘Kaede no Hana’ is one of the koto<\/em> pieces of the national romantic era. The title means ‘Maple Flowers’ and refers to the blooming of these small flowers in April, and when the flowers fall they become propellered seeds. The songtext depicts nature in early summer in Arashiyama outside Kyoto. Koto<\/em> accompaniment is provided by KIKUCHI Naoko.<\/p>\n

                Intermediate<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Golden Oldies<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23d09d30″ css=”.vc_custom_1527768395144{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”15h30 \u2013 16h40<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848190935{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: 0px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: Horacio CURTI \u2013 Posture and Sound Development<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526839965095{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844850136{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527536730374{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Horacio CURTI gives advise the correct posture and sound development when practicing or playing shakuhachi<\/em>.<\/p>\n

                Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Mind\/Body<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23597fff” css=”.vc_custom_1527767516596{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 50px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][\/vc_tta_section][vc_tta_section title=”RHB 268″ tab_id=”rhb268-day2″][vc_custom_heading text=”10h00 \u2013 11h10<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522859033894{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: Zac ZINGER \u2013 5 Holes, 12 Notes: Chromaticism on Shakuhachi<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526840255372{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844056239{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527681657453{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Jazz player Zac ZINGER\u2019s workshop explores the chromatic possibilities of the shakuhachi<\/em>. Though the shakuhachi wasn’t built to play modern Western music, the limits of the instrument are constantly being tested in new music and contemporary styles. This workshop will introduce strategies and techniques to overcome the difficulties of playing chromatic music on a five-hole shakuhachi<\/em>.<\/p>\n

                Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”New Horizons<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23d31d54″ css=”.vc_custom_1527767963768{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”11h30 \u2013 12h40<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522859162635{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: Elizabeth BROWN \u2013 Learn Loons, from Isle Royale Shakuhachi Duos<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526842712924{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844409284{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527537405895{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Learn this piece directly from the composer. Both Western and Kinko notation will be supplied. Elizabeth BROWN will also talk about hearing shakuhachi<\/em> with Western-conditioned ears, and how it influences her compositions.<\/p>\n

                Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”New Horizons<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23d31d54″ css=”.vc_custom_1527767975573{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”13h00 \u2013 14h00<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848249109{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”BEGINNERS WORKSHOP with Michael Soumei COXALL<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526842883483{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844543823{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1526842935530{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Learn the basics and more.[\/vc_column_text][vc_custom_heading text=”Beginners Activity 3<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23066e9a” css=”.vc_custom_1527767559221{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”14h00 \u2013 15h10<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848221493{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: Jim FRANKLIN \u2013 Shakuhachi and Live Electronics<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1527537103666{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844657315{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527537311106{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]In this workshop, Jim FRANKLIN will discuss the basics of performing the shakuachi<\/em> with live eletronic processing. Participants will have the hands-on opportunity to try out playing the shakuhachi<\/em> with analogue and digital processing, and are welcome to bring a laptop with the software PD (Pure Data) loaded and functional, in order to develop ideas from the class. No previous experience in this area is necessary.<\/p>\n

                Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”New Horizon<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23d31d54″ css=”.vc_custom_1527767989614{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”15h30 \u2013 16h40<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848190935{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: 0px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: Luigi IRLANDINI \u2013 Improvisation with Honkoyku Materials<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1527537729777{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844850136{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527537717629{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Luigi IRLANDINI presents a workshop on improvisation with honkoyku<\/em> materials.<\/p>\n

                Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Great Solos<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23c55a37″ css=”.vc_custom_1522845460426{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”17h00 \u2013 18h00<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848154533{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: 0px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”BEGINNERS WORKSHOP with Michael Soumei COXALL<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526842917068{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844970551{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1526842948855{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]It is never to late to start the shakuhachi<\/em>.[\/vc_column_text][vc_custom_heading text=”Beginners Activity 4<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23066e9a” css=”.vc_custom_1527767574987{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 50px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][\/vc_tta_section][vc_tta_section title=”RHB 164″ tab_id=”rhb164-day2″][vc_custom_heading text=”10h00 \u2013 11h10<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522859033894{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: Daniel Seisoku LIFERMANN, H\u00e9l\u00e8ne Seiyu CODJO \u2013 Wasan<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526845571154{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844056239{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527537794306{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]In this workshop Daniel Seisoku LIFERMANN and H\u00e9l\u00e8ne Seiyu CODJO will teach a duet composed by FUKUDA Teruhisa. This piece expresses a deep feeling of peace.<\/p>\n

                Intermediate<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”New Sounds<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23f2734f” css=”.vc_custom_1527768129477{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”11h30 \u2013 12h40<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522859162635{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: Suizan LAGROST \u2013 Ichikotsu<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526845753911{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844409284{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527537812651{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]’Ichikotsu’ was composed in 1966 by YAMAMOTO Hozan. This famous piece introduces the western practice of dividing pieces into movements, in this case all based on D (\u58f1\u8d8a). Thanks to his perfect knowledge of the instruments, YAMAMOTO succeeds in revealing the most charming aspects of the koto<\/em> and the shakuhachi<\/em>.<\/p>\n

                Koto accompaniment by MIYAZAKI Mieko.<\/p>\n

                Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”New Sounds<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23f2734f” css=”.vc_custom_1527768142741{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”14h00 \u2013 15h10<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848221493{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: IZUMI Takeo \u2013 San’ya<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1527538081713{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844657315{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527537993225{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]’San’ya’ is one type of shakuhachi honkyoku<\/em>, which can be written in many ways, including \u4e09\u8c37, \u5c71\u8c37 and \u5c71\u4e5f. This performance will be based on WATAZUMI Dozo’s arrangement of ‘Tsugaru Kinp\u016b Ry\u016b Sanya Sugagaki’ and is believed to express a land in the farthest distance.<\/p>\n

                Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Great Solos<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23c55a11″ css=”.vc_custom_1527767596110{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”15h30 \u2013 16h40<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848190935{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: 0px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: Steve NOBLE – Free Improvisation: London Meets Japan<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526846178150{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844850136{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527537872757{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Percussionist and free improviser Steve NOBLE will present his approach to improvisation. A practical workshop.<\/p>\n

                Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”New Sounds<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23f2734f” css=”.vc_custom_1527768165355{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”17h00 \u2013 18h00<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848154533{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: 0px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Lecture: KURODA Reison \u2013 The Future of Tradition<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526846244993{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844970551{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527538066203{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]KURODA Reison, part of the new generation of young japanese shakuhachi<\/em> players talks about his relationship to the traditional Japanese music in \u2018The Future of Tradition\u2019.<\/p>\n

                Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”New Sounds<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23f2734f” css=”.vc_custom_1527768178607{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 50px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][\/vc_tta_section][vc_tta_section title=”RHB 163″ tab_id=”rhb163-day2″][vc_custom_heading text=”10h00 \u2013 11h10<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522859033894{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: Suizan LAGROST \u2013 Tips & Tricks<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526846402866{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844056239{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527538239732{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Posture, breathing, air speed, resonance: how can we make the shakuhachi an easy instrument? All schools and styles welcome.<\/p>\n

                Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Mind\/Body<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23597fff” css=”.vc_custom_1527767698275{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”11h30 \u2013 12h40<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522859162635{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Lecture: TAKAHASHI Toyomi \u2013 How a shakuhachi is made<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526846824667{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844409284{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1526846855948{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]In this lecture\/demonstration TAKAHASHI Toyomi presents his approach to making shakuhachi<\/em>.[\/vc_column_text][vc_custom_heading text=”The Thing<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23066e9a” css=”.vc_custom_1527767733156{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”14h00 \u2013 15h10<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848221493{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Lecture: Philip HORAN \u2013 My Journey on the Shakuhachi Making Path<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526846918165{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844657315{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527538366601{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]The opening section of this class will consist of a short presentation exploring the contribution of Irishman, John James QUIN to the art of Japanese lacquerwork. The central part of the workshop will explore how the construction of shakuhachi<\/em> affects timbre by examining alternative fingerings. The final part will be an opportunity for participants to play two arrangements using different lengths of shakuhachi<\/em>: the Irish \u2018Kimigayo\u2019 and a piece influenced by Saint Patrick’s \u2018Shika no Tone.\u2019<\/p>\n

                Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”The Thing<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23066e9a” css=”.vc_custom_1527767745983{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”15h30 \u2013 16h40<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848190935{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: 0px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: Philip HORAN \u2013 Irish\/Celtic music for shakuhachi <\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526847145582{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844850136{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527538382735{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]This workshop will include a demonstration of different genres of Celtic music performed on shakuhachi<\/em>. Participants will be taught some Irish dance tunes. The use of alternative fingerings to minimise the movement of fingers in fast passages will be explained and illustrated.<\/p>\n

                Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”New Horizons<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23d31d54″ css=”.vc_custom_1527768022069{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”17h00 \u2013 18h00<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848154533{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: 0px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Lecture: YOSHIKAWA Shigeru \u2013 Physics and Shakuhachi Acoustics<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526847422699{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844970551{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527538567168{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]The s\u014d<\/em> (koto<\/em>), satsuma biwa<\/em>, and shakuhachi<\/em> are made of the paulownia (kiri<\/em>), mulberry (kuwa<\/em>), and bamboo (madake<\/em>), respectively. Why and how these specific woods are traditionally used for these musical instruments. Woods common in musical instruments are typically softwoods, hardwoods, and monocots (bamboo). Based on the characteristics of vibration, its transmission, and its radiation, various woods are classified, and \u201cthe right wood in the right place\u201d for strings, woodwinds, and percussions as well as the peculiarity of Japanese instruments is considered. YOSHIKAWA Shigeru is a Scholar, Acoustician and Performer.<\/p>\n

                Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”The Thing<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23066e9a” css=”.vc_custom_1527767760585{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 50px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][\/vc_tta_section][vc_tta_section title=”SHOP” tab_id=”shop-day2″][vc_custom_heading text=”10h00 \u2013 20h00<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1526772803969{margin-top: px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: px !important;padding-top: 25px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Shakuhachi Bazaar WSF2018<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526772813940{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522843582148{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1526772951664{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 0px !important;padding-left: 25px !important;}”]A WSF is also a great opportunity to stock up, for example, on difficult to obtain shakuhachi<\/em> CDs, notation and, with many of great makers being present, an excellent time to purchase a new instrument or other merchandise.<\/p>\n

                The Shakuhachi Bazaar WSF2018 in RHB 150 provides materials from a variety of sellers and is open all day. There, you will also be able to get that official WSF2018 T-Shirt![\/vc_column_text][vc_custom_heading text=”Shop RHB150<\/mark><\/b>” font_container=”tag:p|font_size:0.8em|text_align:left” css=”.vc_custom_1526772982932{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][\/vc_tta_section][vc_tta_section title=”GREAT HALL” tab_id=”greathall-day2″][vc_custom_heading text=”13h00 \u2013 14h00<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1526823275930{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Lunchtime Concert<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526823295132{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844056239{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527085008542{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Concert Programme:<\/span><\/p>\n

                  \n
                1. SUTO Shuho, shakuhachi<\/em> \u2013 Shirabe, Sagariha<\/li>\n
                2. Jos\u00e9 Seizan VARGAS, shakuhachi<\/em> \u2013 Shizu<\/li>\n
                3. YOSHIKAWA Shigeru, shakuhachi<\/em> \u2013 Kok\u016b<\/li>\n
                4. KAWAMURA Kizan, shakuhachi<\/em> \u2013 Kogarashi<\/li>\n
                5. ISO Genmyo, shakuhachi<\/em – Oborozuki (TSUNODA Rogetsu)<\/em><\/li>\n
                6. TAJIMA Tadashi, shakuhachi<\/em> \u2013 Tsuru no Sugomori<\/li>\n<\/ol>\n

                  The exact content of the concerts and the order of pieces are still subject to change. The list above is provisional, and will be updated regularly.<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Great Solos<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23c55a11″ css=”.vc_custom_1527767630794{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”20h00 \u2013 21h30<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1526823454594{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Evening Concert<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526823497169{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844409284{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1532821976138{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Concert Programme:<\/span><\/p>\n

                    \n
                  1. KAKIZAKAI Kaoru, shakuhachi<\/em> \u2013 San’an<\/li>\n
                  2. Aomori Min’yo Association, shakuhachi<\/em> \u2013 Tsugaru Aiya Bushi, Tsugaru Yama Uta<\/li>\n
                  3. OKUDA Atsuya, shakuhachi<\/em> \u2013 Ky\u016b My\u014dan Shinpo Ry\u016b Betsuden Tsuru no Sugomori<\/li>\n
                  4. Clive BELL, shakuhachi<\/em>; Jim FRANKLIN, shakuhachi<\/em> \u2013 Improvisation for two shakuhachi<\/em> and live electronics<\/li>\n
                  5. SHIMURA Zenpo, shakuhachi<\/em> \u2013 Takiochi<\/li>\n
                  6. John Kaizan NEPTUNE, shakuhachi<\/em>; NOMURA Hozan, shakuhachi<\/em>; TANABE Shozan, shakuhachi<\/em>; OBAMA Akihito, shakuhachi<\/em> \u2013 Roots and Branches (J. NEPTUNE)<\/li>\n
                  7. FURUYA Teruo, KAKIZAKAI Kaoru, MATAMA Kazushi, shakuhachi<\/em> \u2013 Fudo III (KINEYA Seiho)<\/li>\n
                  8. MIZUNO Komei, shakuhachi<\/em>; KURAHASHI Ayako, shamisen<\/em> \u2013 Kurokami<\/li>\n<\/ol>\n

                    The exact content of the concerts and the order of pieces are still subject to change. The list above is provisional, and will be updated regularly.<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Mixed Programme<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23066e9a” css=”.vc_custom_1527767648643{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][\/vc_tta_section][vc_tta_section title=”TOWN HALL” tab_id=”townhall-day2″][vc_custom_heading text=”17h00 \u2013 18h15<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1526825094641{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Afternoon Concert<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526825110859{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844056239{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527085163767{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Concert Programme:<\/span><\/p>\n

                      \n
                    1. KURAHASHI Yodo II, shakuhachi<\/em> \u2013 Jinbo Sanya (URAYAMA Ginzan)<\/li>\n
                    2. James Nyoraku SCHLEFER, shakuhachi<\/em> \u2013 Brooklyn Sanya (J. SCHLEFER)<\/li>\n
                    3. Vlastislav MATOUSEK, shakuhachi<\/em>; Christopher Yohmei BLASDEL, shakuhachi<\/em>; Kiku DAY, shakuhachi<\/em>;Jim FRANKLIN, shakuhachi<\/em>; Veronika MATOUSEK, voice \u2013 Aleatorica for 4 Shakuhachi, with (parallel) Via Prophetiae (V. MATOUSEK)<\/li>\n
                    4. TAKEO Izumi, shakuhachi<\/em> \u2013 San’ya<\/em><\/li>\n
                    5. SABU Orimo, shakuhachi<\/em> \u2013 improvisation<\/li>\n
                    6. Suizan LAGROST, shakuhachi<\/em> \u2013 Three Haikus (John PALMER)<\/li>\n
                    7. Christopher Yohmei BLASDEL, shakuhachi<\/em> \u2013 By\u014d (HIROSE Ryohei)<\/li>\n<\/ol>\n

                      The exact content of the concerts and the order of pieces are still subject to change. The list above is provisional, and will be updated regularly.<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Tribute to Ronnie Nyogetsu SELDIN \/ Mixed Programme<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23066e9a” css=”.vc_custom_1527767669978{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][\/vc_tta_section][vc_tta_section title=”St JAMES” tab_id=”st-james-day2″][vc_custom_heading text=”13h00 \u2013 14h00<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1526825375822{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Lunchtime Concert<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526848410657{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844056239{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527772655400{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Concert Programme:<\/span><\/p>\n

                        \n
                      1. James Nyoraku SCHLEFER, shakuhachi<\/em>; Kenneth WOODS, cello \u2013 Sidewalk Dances (J. SCHLEFER)<\/li>\n
                      2. Marco LIENHARD, shakuhachi<\/em>; Steve COHN, shakuhachi<\/em>; JOJI Hirota, taiko<\/em> \u2013 Improvisation<\/li>\n
                      3. OBAMA Akihito, shakuhachi<\/em>; Steve NOBLE, percussion \u2013 Improvisation<\/li>\n
                      4. Anne NORMAN, shakuhachi<\/em> \u2013 Whispered Shadows\/\u5f71\u306e\u3055\u3055\u3084\u304d (A. NORMAN) premi\u00e8re<\/em><\/span><\/li>\n
                      5. ENOMOTO Shusui, shakuhachi<\/em>; Tim HODGKINSON, clarinet or lap steel guitar \u2013 Improvisation<\/li>\n<\/ol>\n

                        The exact content of the concerts and the order of pieces are still subject to change. The list above is provisional, and will be updated regularly.<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”New Horizons<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23d31d54″ css=”.vc_custom_1527768072868{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][\/vc_tta_section][\/vc_tta_tabs][\/vc_column][\/vc_row][vc_row][vc_column][vc_custom_heading text=”Friday 3 August 2018″ font_container=”tag:h5|text_align:center|color:%23ffffff” css=”.vc_custom_1526848597600{padding-top: 20px !important;padding-right: px !important;padding-bottom: 15px !important;padding-left: px !important;background-color: #066e9a !important;background-position: center !important;background-repeat: no-repeat !important;background-size: contain !important;}” el_class=”heading-alt”][\/vc_column][\/vc_row][vc_row][vc_column][vc_tta_tabs style=”outline” alignment=”center” active_section=”20″][vc_tta_section title=”LG 02″ tab_id=”lg02-day3″][vc_custom_heading text=”9h00 \u2013 9h40<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522858719086{margin-top: px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: px !important;padding-top: 25px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Robuki<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1527771711761{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522843582148{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527771727168{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]General gathering and announcements relevant for the day ahead followed by robuki<\/em>.<\/p>\n

                        Also first rehearsal<\/strong> for the specially commissioned group piece by Verity LANE.[\/vc_column_text][vc_custom_heading text=”WSF2018 Team<\/mark><\/b>” font_container=”tag:p|font_size:0.8em|text_align:left” css=”.vc_custom_1522845582823{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”10h00 \u2013 11h10<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522859033894{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Large Workshop: KAWASE Yosuke \u2013 tba 1\/2<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526904613126{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844056239{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527538817605{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]KAWASE Yosuke is a Kinko Ry\u016b Chikuyusha shakuhachi<\/em> performer, son of KAWASE Junsuke III and heir to the Chikuyusha linegage iemoto<\/em>, and teacher of the Nezasa-ha style of honkyoku<\/em>. The second part of the workshop follows immediately afterwards at 11h30.<\/p>\n

                        Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Great Solos<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23c55a11″ css=”.vc_custom_1527769212899{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”11h30 \u2013 12h40<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522859162635{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Large Workshop: KAWASE Yosuke \u2013 tba 2\/2<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526904653666{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844409284{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527538829546{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]The second part of the workshop. KAWASE Yosuke is a Kinko Ry\u016b Chikuyusha shakuhachi<\/em> performer, son of KAWASE Junsuke III and heir to the Chikuyusha linegage iemoto<\/em>, and teacher of the Nezasa-ha style of honkyoku<\/em>.<\/p>\n

                        Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Great Solos<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23c55a37″ css=”.vc_custom_1526904671199{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”13h00 \u2013 14h00<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848249109{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Lecture: KURUHASHI Yodo II \u2013 The JIN Nyodo Lineage<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526904984529{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844543823{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527538838675{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]KURUHASHI Yodo II speaks about the JIN Nyodo lineage. JIN Nyodo (1891 \u2013 1966) was a direct descendant in the lineage of the Fuke sect.<\/p>\n

                        Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Great Solos<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23c55a11″ css=”.vc_custom_1527769267666{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”14h00 \u2013 15h10<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848221493{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Large Workshop: SUGAWARA Kuniyoshi \u2013 Renzan 1\/2<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526905197200{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844657315{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527538895955{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]SUGAWARA Kuniyoshi on the piece \u2018Renzan\u2019 . This is the first part of the workshop, the second part follows immediately afterwards at 15h30.<\/p>\n

                        \u2018Renzan\u2019 is a modern piece from the Sawai School and was composed for shakuhachi <\/em> by SAWAI Tadao in 1969.<\/p>\n

                        Intermediate<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”New Sounds<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23f2734f” css=”.vc_custom_1527769974507{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”15h30 \u2013 16h40<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848190935{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: 0px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Large Workshop: SUGAWARA Kuniyoshi \u2013 Renzan 2\/2<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526905212602{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844850136{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527538933236{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]This is the second part of the workshop presented by SUGAWARA Kuniyoshi on the piece \u2018Renzan\u2019, a modern piece from the Sawai School and was composed for shakuhachi <\/em> by SAWAI Tadao in 1969.<\/p>\n

                        Intermediate<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”New Sounds<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23f2734f” css=”.vc_custom_1527769983842{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”17h00 \u2013 18h00<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848154533{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: 0px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Panel Discussion: Shakuhachi – the Future<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526905762816{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844970551{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527538994004{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Panel Discussion: Shakuhachi – the Future. Panel members include YAMAGUCHI Shugetsu, Cornelius BOOTS, Frank DENYER, Lindsay DUGAN, SEIAN Genshin, Kiku DAY. (to be confirmed)<\/em><\/p>\n

                        Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Mixed Themes<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23066e9a” css=”.vc_custom_1527769185537{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 50px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][\/vc_tta_section][vc_tta_section title=”LG 01″ tab_id=”lg01-day3″][vc_custom_heading text=”10h00 \u2013 11h10<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522859033894{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: Suizan LAGROST \u2013 Iwashimizu<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526906734519{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844056239{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527684367102{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]NAKAO Tozan was a highly religious man who prayed every morning, whether at home or when travelling. He particularly liked the temple Iwashimizu Hachimang\u016b in \u014csaka, which inspired in 1904 the piece ‘Iwashimizu’, one of the foremost honkyoku<\/em> pieces of Tozan school repertoire.<\/p>\n

                        Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Great Solos<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23c55a11″ css=”.vc_custom_1527769289192{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”11h30 \u2013 12h40<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522859162635{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: FURUYA Teruo, KAKIZAKAI Kaoru & MATAMA Kazushi \u2013 Shingetsu<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526906897954{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844409284{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527539077405{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]FURUYA Teruo, KAKIZAKAI Kaoru & MATAMA Kazushi present their workshop on honkoku<\/em> piece ‘Shingetsu’.<\/p>\n

                        Elementary<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Great Solos<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23c55a11″ css=”.vc_custom_1527769300835{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”13h00 \u2013 14h00<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848249109{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Lecture: NOMURA Hozan \u2013 Development of Tozan Repertoire in 20th Century<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1527769113470{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844543823{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527539102646{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]<\/p>\n

                        NOMURA Hozan has attained the rank of \u2018Tozan Ry\u016b Shakuhachi Chikurinken Daishihan\u2019. He was an external lecturer teaching shakuhachi<\/em> at the Department of Japanese Traditional Music at Tokyo University of Performing Arts between 2016 and 2017 and is presently an external lecturer at Aichi Prefectural University of Fine Arts and Music.<\/p>\n

                        Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”New Sounds<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23f2734f” css=”.vc_custom_1527769648084{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”14h00 \u2013 15h10<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848221493{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: Aomori Min’y\u014d Association \u2013 Min’y\u014d<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1527769088322{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844657315{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527539233629{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Aomori Min\u2019y\u014d Association (Aomori Min\u2019y\u014d Ky\u014dkai) presents a min\u2019y\u014d<\/em> workshop.<\/p>\n

                        Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Golden Oldies\/Min’y\u014d<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23d09d30″ css=”.vc_custom_1527769589626{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”15h30 \u2013 16h40<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848190935{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: 0px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: David HUGHES, Gina BARNES \u2013 Min’y\u014d<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526922240885{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844850136{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527539215876{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Another chance to experience the world of min’y\u014d.
                        \n<\/em><\/p>\n

                        Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Golden Oldies\/Min’y\u014d<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23d09d30″ css=”.vc_custom_1527769599964{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”17h00 \u2013 18h00<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848154533{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: 0px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Lecture: Marty REGAN \u2013 The Music of Marty REGAN<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526922441423{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844970551{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527539249550{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]The composer and shakuhachi<\/em> player Marty REGAN speaks about his approach to composing for shakuhachi<\/em>.<\/p>\n

                        Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”New Horizons<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23d31d54″ css=”.vc_custom_1527769940004{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 50px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][\/vc_tta_section][vc_tta_section title=”RHB 167″ tab_id=”rhb167-day3″][vc_custom_heading text=”10h00 \u2013 11h10<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522859033894{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: David Kansuke II WHEELER \u2013 Onoe no Matsu<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526922745893{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844056239{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527539310199{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]David Kansuke II WHEELER presents ‘Onoe no Matsu’ with accompaniment by FUJIMOTO Akiko and SATO Kikuko.<\/p>\n

                        Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Golden Oldies<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23d09d30″ css=”.vc_custom_1527769555808{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”11h30 \u2013 12h40<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522859162635{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: HOSHIDA Ichizan \u2013 Fundamentals of Shakuhachi Playing<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1527768995860{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844409284{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527539330330{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]In this on technique focused workshop, HOSHIDA Ichizan looks at the fundamentals of shakuhachi<\/em> playing.<\/p>\n

                        Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Mind\/Body<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23597fff” css=”.vc_custom_1527766775009{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”14h00 \u2013 15h10<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848221493{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: YAMADA Fumio \u2013 Zen Buddhism and Shakuhachi <\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1527769054009{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844657315{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527539372546{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]YAMADA Fumio is a designated holder of Aomori Prefecture Intangible Folk Cultural Asset for Nezasa Ha Kinp\u016b Ry\u016b shakuhachi<\/em>.<\/p>\n

                        Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Golden Oldies<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23d09d30″ css=”.vc_custom_1527769569174{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”15h30 \u2013 16h40<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848190935{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: 0px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: Aomori Min’y\u014d Association \u2013 Min’y\u014d<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1527769040076{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844850136{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527539383762{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Aomori Min\u2019y\u014d Association (Aomori Min\u2019y\u014d Ky\u014dkai) presents a min\u2019y\u014d<\/em> workshop.<\/p>\n

                        Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Golden Oldies\/Min’y\u014d<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23d09d30″ css=”.vc_custom_1527768519100{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”17h00 \u2013 18h00<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848154533{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: 0px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Screening: Shakuhachi and the City<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526764652202{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844970551{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527539402134{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Programme tba<\/em><\/p>\n

                        Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”New Horizons<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23d31d54″ css=”.vc_custom_1527769917424{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 50px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”21h30 \u2013 22h30<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1526838430332{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: 0px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Late Evening Concert<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526838273692{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844970551{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527863288891{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Concert Programme:<\/span><\/p>\n

                          \n
                        1. Dietmar Ippu HERRIGER, shakuhachi; <\/em>ISO Genmyo, shakuhachi<\/em> \u2013 Itchoken Shika no T\u014dne<\/li>\n
                        2. TAKAHASHI Renkaizan, shakuhachi<\/em>; TAKAHASHI Gaho, koto<\/em>; TAKAHASHI Utaiku, shamisen<\/em> \u2013 Kurokami<\/li>\n
                        3. Rob FOSTER, shakuhachi<\/em> \u2013 tba<\/em><\/li>\n
                        4. Danilo TOMIC, shakuhachi<\/em> \u2013 own composition<\/em><\/li>\n
                        5. Marek MATVIJA and partner(s), shakuhachi<\/em> \u2013 Improvisation<\/li>\n<\/ol>\n

                          The exact content of the concerts and the order of pieces are still subject to change. The list above is provisional, and will be updated regularly.<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Mixed Programme<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23066e9a” css=”.vc_custom_1527769017360{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 50px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][\/vc_tta_section][vc_tta_section title=”RHB 281″ tab_id=”rhb281-day3″][vc_custom_heading text=”10h00 \u2013 11h10<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522859033894{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: ISO Genmyo \u2013 Kumoi Jishi<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1527539819829{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844056239{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527684450555{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]This workshop will start with zazen<\/em> (sitting on chairs) in order to prepare our breathing, followed by robuki<\/em>. After that, ISO Genmyo will lecture on ‘Kumoi Jishi’ from the Itchoken lineage. ISO Genmyo is the Head Priest of Itchoken Temple Myoan Ry\u016b.<\/p>\n

                          Elementary<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Great Solos<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23c55a11″ css=”.vc_custom_1527769334852{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”11h30 \u2013 12h40<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522859162635{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: TAJIMA Tadashi \u2013 Tsuru no Sugomori<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526924368708{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844409284{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527539580037{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]TAJIMA Tadashi presents the classic and expressive honkyoku<\/em> ‘Tsuru no Sugomori’.<\/p>\n

                          Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Great Solos<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23c55a11″ css=”.vc_custom_1527769349830{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”14h00 \u2013 15h10<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848221493{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: Ralph SAMUELSON \u2013 Henry Cowell: The Universal Flute<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1527768971995{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844657315{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527539732356{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]The Universal Flute, for solo shakuhachi<\/em>, is a 1946 work by the pioneering American composer Henry COWELL. It is the first known American composition for the instrument. The workshop will review COWELL\u2019s long friendship with his shakuhachi<\/em> teacher TAMADA Kitaro, who had emigrated from Aomori to California, and will study both the original score and a transcription in Kinko notation.<\/p>\n

                          Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”New Horizons<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23d31d54″ css=”.vc_custom_1527769894429{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”15h30 \u2013 16h40<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848190935{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: 0px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: FUJIYOSHI Etsuzan \u2013 Itchoken Kyushu Reiboi<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526925263507{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844850136{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527684648939{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]In this workshop FUJIYOSHI Etsuzan will look at ‘Kyushu Reibo’ \u2013 a piece that clearly demonstrates the unique characteristics of honkyoku<\/em> from Kyushu region with a clear but multi-faceted changes of merihari<\/em> (liveliness) in ‘u’ and in the yuri<\/em>. In order to assist everybody in understanding the principles of irete<\/em> (\u5165\u308c\u624b), the fundamental theory and the piece will be lined up and explained.<\/p>\n

                          Elementary<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Great Solos<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23c55a11″ css=”.vc_custom_1527769362530{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”17h00 \u2013 18h00<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848154533{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: 0px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: Christopher Yohmei BLASDEL \u2013 Shakuhachi, Aikido and Body Awareness<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526925478360{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844970551{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527539770170{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]<\/p>\n

                          This workshop will focus on how to relax while using the body more effectively. Participants will utilize simple techniques from the martial art Aikido to help focus attention on body awareness and how to relieve tension while playing and moving. (Besides playing shakuhachi<\/em>, BLASDEL is also a 4th degree blackbelt in Aikido!).<\/p>\n

                          Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”MInd\/Body<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23597fff” css=”.vc_custom_1527766795944{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 50px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][\/vc_tta_section][vc_tta_section title=”RHB 280″ tab_id=”rhb280-day3″][vc_custom_heading text=”10h00 \u2013 11h10<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522859033894{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: Adrian FREEDMAN \u2013 Seijaku & Pranayama<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526925669598{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844056239{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527539839129{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Adrian FREEDMAN will introduce his piece ‘Seijaku’, which blends elements of honkyoku<\/em> style with lyrical phrases in the Aeolian mode. The essence of this piece lies in the extended long notes and in the silences between the notes. Adrian will demonstrate some yogic Pranayama breath control exercises and other breathing techniques that can assist with playing long notes and with tone control.<\/p>\n

                          Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”New Horizons<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23d31d54″ css=”.vc_custom_1527769875236{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”11h30 \u2013 12h40<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522859162635{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: Aomori Min’y\u014d Association \u2013 Min’y\u014d<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1527539973032{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844409284{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527539949533{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]The fantastic Aomori Min’y\u014d Association invite you to join to play min’y\u014d<\/em> pieces.<\/p>\n

                          Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Golden Oldies\/Min’y\u014d<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23d09d30″ css=”.vc_custom_1527769513799{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”14h00 \u2013 15h10<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848221493{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: Brian RITCHIE \u2013 Old Man Sankyoku Punk<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526942236454{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844657315{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527540027546{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Brian RITCHIE’s Old Man Sankyoku Punk – come to find out more.<\/p>\n

                          Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Golden Oldies<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23d09d30″ css=”.vc_custom_1527769524317{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”15h30 \u2013 16h40<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848190935{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: 0px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: YAMAGUCHI Shugetsu \u2013 Between Jinashi and Jiari<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526942518553{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844850136{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527540015778{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]A lecture\/workshop presented by YAMAGUCHI Shugetsu.<\/p>\n

                          Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”The Thing<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23066e9a” css=”.vc_custom_1527768937921{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 50px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][\/vc_tta_section][vc_tta_section title=”RHB 268″ tab_id=”rhb268-day3″][vc_custom_heading text=”10h00 \u2013 11h10<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522859033894{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: Michael Chikuzen GOULD \u2013 Bosatsu<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526942786454{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844056239{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527540077549{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Michael Chikuzen GOULD presents ‘Bosatsu’ a compilation made by TANIGUCHI Yoshinobu. It consists of signature riffs from various honkyoku<\/em>; starting with Goreika-a pilgrimage song, then folk music, then parts of ‘Tsuru no Sugomori’, ‘San An’, ‘Yamagoe’, an Edo lullaby, and ending with the pilgrimage. TANIGUCHI sensei composed the links between the riffs. So, this could be called a “highlight reel” of various honkyoku<\/em>.<\/p>\n

                          Intermediate<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”New Sounds<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23f2734f” css=”.vc_custom_1527769689098{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”11h30 \u2013 12h40<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522859162635{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: KURODA Reison \u2013 Ran Gyoku<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526943221749{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844409284{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527540118657{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]KURODA Reison presents ‘Ran Gyoku’ by HIGO Ichiro. KURODA studied under Living National Treasure AOKI Reibo and AOKI Shouji.<\/p>\n

                          Intermediate<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”New Sounds<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23f2734f” css=”.vc_custom_1527769701967{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”13h00 \u2013 14h00<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848249109{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”BEGINNERS WORKSHOP with Gunnar Jinmei LINDER<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526943533738{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844543823{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1526943542512{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Make your first steps, it is rewarding.[\/vc_column_text][vc_custom_heading text=”Beginners Activity 5<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23066e9a” css=”.vc_custom_1527768907884{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”14h00 \u2013 15h10<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848221493{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: KURODA Reison \u2013 Haru no Yo<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526944127715{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844657315{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527540168160{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]KURODA Reison introduces ‘Haru no Yo’, a composition by MIYAGI Michio. Koto accompaniment by KITAMURA Keiko.<\/p>\n

                          Intermediate<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”New Sounds<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23f2734f” css=”.vc_custom_1527769715355{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”15h30 \u2013 16h40<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848190935{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: 0px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: KAWAMURA Kizan \u2013 Tozan-specific techniques<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526944480144{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844850136{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527540183595{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]KAWAMURA Kizan, a Tozan Ry\u016b Grand Master and assistant lecturer and a member of the Tozan Ry\u016b Shakuhachi Music Association, the Taizan-kai, will show the various specific techniques used by the Tozan Ry\u016b .<\/p>\n

                          Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”New Sounds<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23f2734f” css=”.vc_custom_1527769727120{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”17h00 \u2013 18h00<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848154533{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: 0px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”BEGINNERS WORKSHOP with Gunnar Jinmei LINDER<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526944021104{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844970551{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1526944063663{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]The first sound will come.[\/vc_column_text][vc_custom_heading text=”Beginners Activity 6<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23066e9a” css=”.vc_custom_1527768919668{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 50px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][\/vc_tta_section][vc_tta_section title=”RHB 164″ tab_id=”rhb164-day3″][vc_custom_heading text=”10h00 \u2013 11h10<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522859033894{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: Marco LIENHARD \u2013 Taiko and Shakuhachi<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1527768820161{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844056239{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527540261499{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]This workshop explores how the shakuhachi<\/em> has been used as part of the renaissance of Taiko in Japan. An unlikely combination of instruments, but it could be considered a Japanese form of \u201cjazz\u201d.<\/p>\n

                          Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”New Horizons<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23d31d54″ css=”.vc_custom_1527769808268{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”11h30 \u2013 12h40<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522859162635{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: Steve COHN \u2013 Approaches to Improvisation with Shakuhachi<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1527768832833{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844409284{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527540273037{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Steve COHN’s workshop will focus specifically on his style of improvisation. Participants will harmonize with others and learn his extended techniques for example vocalizing and playing at the same time. There is bending, sliding, going in and out of octaves, patterns and riffs etc. Four scales will be introduced: pentatonic, blues, honkyoku<\/em> and chromatic. Feel free to bring other instruments as well.<\/p>\n

                          Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”New Horizons<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23d31d54″ css=”.vc_custom_1527769821117{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”14h00 \u2013 15h10<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848221493{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: OBAMA Akihito \u2013 Sh\u014ds\u014din Shakuhachi and Recent Experiments<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1527768843908{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844657315{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527540292903{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]In his workshop\/lecture OBAMA Akihito presents sh\u014ds\u014din shakuhachi<\/em> and recent experiments.<\/p>\n

                          Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”New Horizons<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23d31d54″ css=”.vc_custom_1527769836295{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”15h30 \u2013 16h40<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848190935{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: 0px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: Cornelius BOOTS \u2013 ‘Bamboo Gospel’: Expanding into Deep Blues, Rock and Metal with Solo Shakuhachi<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526945056840{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844850136{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527540325120{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Solo, unaccompanied shakuhachi offers multiple dimensions of sound, musicality and expressiveness. In addition to the well-worn paths of melody and space, shakuhachi<\/em> also enjoys texture, pulse and dynamism. By playing riffs, gestures, structures and alternate roles (beyond melody) from blues, rock and metal, we boldly expand into new and engaging possibilities. (*includes brief circular breathing transmission\/vital breath explanation.)<\/p>\n

                          Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”New Horizons<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23d31d54″ css=”.vc_custom_1527769848878{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”17h00 \u2013 18h00<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848154533{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: 0px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Lecture: TANABE Shozan \u2013 How to Teach Beginners Shakuhachi<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1527768876545{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844970551{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527540334637{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]TANABE Shozan is a Tozan Ry\u016b Shakuhachi Chikurin-ken Grand Master and a part-time faculty member at the Tokyo University of the Arts.
                          \nElementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Mixed Themes<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23066e9a” css=”.vc_custom_1527768862448{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 50px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][\/vc_tta_section][vc_tta_section title=”RHB 163″ tab_id=”rhb163-day3″][vc_custom_heading text=”10h00 \u2013 11h10<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522859033894{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: SHIMURA Zenpo \u2013 Selecting a Jinashi Shakuhachi: The Experience of Extreme Long Shakuhachi 1\/2<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1527768801182{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844056239{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527540416787{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]SHIMURA Zenpo:’s 2-part workshop about extreme long jinashi shakuhachi<\/em>. The second part follows immediately afterwards at 11h30.<\/p>\n

                          Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”The Thing<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23066e9a” css=”.vc_custom_1527768695871{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”11h30 \u2013 12h40<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522859162635{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: SHIMURA Zenpo \u2013 Selecting a Jinashi Shakuhachi: The Experience of Extreme Long Shakuhachi 2\/2<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1527768789387{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844409284{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527540427580{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Second part of SHIMURA Zenpo’s workshop about selecting a jinashi shakuhachi<\/em>.<\/p>\n

                          Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”The Thing<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23066e9a” css=”.vc_custom_1527768709538{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”14h00 \u2013 15h10<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848221493{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Lecture: TAKAHASHI Toyomi \u2013 Shakuhachi Repair<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526945775692{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844657315{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527540439204{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]In this lecture\/demonstration TAKAHASHI Toyomi shares his expertise in shakuhachi<\/em> repair.<\/p>\n

                          Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”The Thing<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23066e9a” css=”.vc_custom_1527768723516{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”15h30 \u2013 16h40<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848190935{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: 0px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: KAKIZAKAI Kaoru \u2013 Tricks and Tips<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526945971898{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844850136{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527540450514{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Tricks and tips from KAKIZAKAI Kaoru, one of the principal instructors and administrators of the Kokusai Shakuhachi Kensh\u016bkan and their Chichibu district head.<\/p>\n

                          Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Mind\/Body<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23597fff” css=”.vc_custom_1527766833514{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”17h00 \u2013 18h00<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848154533{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: 0px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Lecture: MIURA Ryuho \u2013 How my shakuhachi are made, the contemporary shakuhachi<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526946186270{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844970551{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527540476381{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]The great shakuhachi<\/em> maker MIURA Ryuho talks about his methods and approach to contemporary shakuhachi<\/em> making.<\/p>\n

                          Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”The Thing<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23066e9a” css=”.vc_custom_1527768735266{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 50px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][\/vc_tta_section][vc_tta_section title=”SHOP” tab_id=”shop-day3″][vc_custom_heading text=”10h00 \u2013 20h00<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1526772803969{margin-top: px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: px !important;padding-top: 25px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Shakuhachi Bazaar WSF2018<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526772813940{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522843582148{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1526772951664{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 0px !important;padding-left: 25px !important;}”]A WSF is also a great opportunity to stock up, for example, on difficult to obtain shakuhachi<\/em> CDs, notation and, with many of great makers being present, an excellent time to purchase a new instrument or other merchandise.<\/p>\n

                          The Shakuhachi Bazaar WSF2018 in RHB 150 provides materials from a variety of sellers and is open all day. There, you will also be able to get that official WSF2018 T-Shirt![\/vc_column_text][vc_custom_heading text=”Shop RHB150<\/mark><\/b>” font_container=”tag:p|font_size:0.8em|text_align:left” css=”.vc_custom_1526772982932{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][\/vc_tta_section][vc_tta_section title=”GREAT HALL” tab_id=”greathall-day3″][vc_custom_heading text=”13h00 \u2013 14h00<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1526823275930{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Lunchtime Concert \u2013 Focus: Frank DENYER<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526849216314{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844056239{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1532822257461{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Concert Programme:<\/span><\/p>\n

                            \n
                          1. KAWAMURA Kizan, shakuhachi<\/em>; tba<\/em>, percussion \u2013 Wheat (Frank DENYER)<\/li>\n
                          2. Emmanuelle ROUAUD, shakuhachi<\/em>; TAKAHASHI Gaho, koto<\/em> \u2013 I thought about Eva (Henri ALGADAFE) premi\u00e8re<\/em><\/span><\/li>\n
                          3. V\u00e9ronique PIRON, shakuhachi<\/em>; Lydia DOMANCICH, piano \u2013 Treuzell (Footbridge) (L. DOMANCICH\/V. PIRON) premi\u00e8re<\/em><\/span><\/li>\n
                          4. Kiku DAY, shakuhachi <\/em>\u2013 Woman with Jinashi Shakuhachi (Frank DENYER)<\/li>\n
                          5. ZENYOJI Keisuke, shakuhachi<\/em> \u2013 Y\u014d (TAKAHASHI Kumiko)<\/li>\n
                          6. KURODA Reison, shakuhachi<\/em> \u2013 Winged Play (Frank DENYER)<\/li>\n<\/ol>\n

                            The exact content of the concerts and the order of pieces are still subject to change. The list above is provisional, and will be updated regularly.<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”New Horizons<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23d31d54″ css=”.vc_custom_1527769784529{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”20h00 \u2013 21h30<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1526823454594{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Evening Concert<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526823497169{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844409284{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1532822360005{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Concert Programme:<\/span><\/p>\n

                              \n
                            1. David Kansuke II WHEELER, shakuhachi<\/em>; FUJIMOTO Akiko, shamisen<\/em>; SATO Kikuko, koto<\/em> \u2013 Mama no Kawa (KIKUOKA Kengyo)<\/li>\n
                            2. OBAMA Akihito, shakuhachi<\/em> \u2013 Getsumei Sansui (OBAMA Akihito)<\/li>\n
                            3. Christopher Yohmei BLASDEL, shakuhachi<\/em>; Koto: WATANABE Okahana, koto<\/em>; SASAKI Chikano, koto<\/em>; HAGIOKA Yuko, shamisen<\/em> \u2013 Nasuno (YAMADA Kengyo)<\/li>\n
                            4. ISHIKAWA Toshimitsu, shakuhachi<\/em> \u2013 Ittei (KINEYA Seiho)<\/li>\n
                            5. David HUGHES, shamisen<\/em>; Gina BARNES, shinobue<\/em>; & Aomori Min’yo Association, shakuhachi<\/em> \u2013 Tsugaru Aiya Bushi, Tsugaru Yama Uta<\/li>\n
                            6. FUJIYOSHI Etsuzan, shakuhachi<\/em> \u2013 TAKAHASHI Kuzan den Osh\u016b Reih\u014d<\/li>\n
                            7. MATAMA Kazushi, shakuhachi<\/em> \u2013 Daha<\/li>\n
                            8. Richard STAGG, shakuhachi<\/em> & Octandre Ensemble \u2013 After the Rain (Frank DENYER)<\/li>\n<\/ol>\n

                              The exact content of the concerts and the order of pieces are still subject to change. The list above is provisional, and will be updated regularly.<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Mixed Programme<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23066e9a” css=”.vc_custom_1527768678591{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][\/vc_tta_section][vc_tta_section title=”TOWN HALL” tab_id=”townhall-day3″][vc_custom_heading text=”17h00 \u2013 18h15<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1526825094641{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Afternoon Concert<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526825110859{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844056239{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527693244677{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Concert Programme:<\/span><\/p>\n

                                \n
                              1. Michael Chikuzen GOULD, shakuhachi<\/em> \u2013 Suzuru<\/li>\n
                              2. SUTO Shuho, shakuhachi<\/em> \u2013 Matsukaze no Shirabe, Matsukaze<\/li>\n
                              3. NOMURA Hozan, shakuhachi<\/em> \u2013 Iwashimizu (NAKAO Tozan)<\/li>\n
                              4. YAMADA Fumio, shakuhachi<\/em> \u2013 Katotsuke, Sagariha<\/li>\n
                              5. H\u00e9l\u00e8ne Seiyu CODJO, shakuhachi<\/em>; Daniel Seisoku LIFERMANN, shakuhachi<\/em> \u2013 Renbo Sugomori (arrang. FUKUDA Teruhisa)<\/li>\n
                              6. SEIAN Genshin, shakuhachi<\/em>; Daniel RIBBLE, shakuhachi<\/em> \u2013 My\u014dan Shika no T\u014dne<\/li>\n<\/ol>\n

                                The exact content of the concerts and the order of pieces are still subject to change. The list above is provisional, and will be updated regularly.<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Great Solos<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23c55a11″ css=”.vc_custom_1527769412878{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][\/vc_tta_section][vc_tta_section title=”St JAMES” tab_id=”st-james-day3″][vc_custom_heading text=”13h00 \u2013 14h00<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1526825375822{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Lunchtime Concert<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526848410657{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844056239{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527693276930{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Concert Programme:<\/span><\/p>\n

                                  \n
                                1. DAN Shinku, shakuhachi<\/em> \u2013 Minamoto no Unkai den Ajikan<\/li>\n
                                2. TAJIMA Tadashi, shakuhachi<\/em> \u2013 Yamagoe<\/li>\n
                                3. MIZUNO Komei, shakuhachi<\/em>; FUJIMOTO Akiko, shamisen<\/em>; SATO Kikuko, koto<\/em> \u2013 Nebiki no matsu (MINEZAKI Koto\/MITSUHASHI Koto)<\/li>\n
                                4. Horacio CURTI, shakuhachi<\/em> \u2013 Sokkan<\/li>\n
                                5. ISHIKAWA Toshimitsu, shakuhachi<\/em> \u2013 Shingetsu<\/li>\n<\/ol>\n

                                  The exact content of the concerts and the order of pieces are still subject to change. The list above is provisional, and will be updated regularly.<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Great Solos\/Golden Oldies<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23c55a11″ css=”.vc_custom_1527773630904{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][\/vc_tta_section][\/vc_tta_tabs][\/vc_column][\/vc_row][vc_row][vc_column][vc_custom_heading text=”Saturday 4 August 2018″ font_container=”tag:h5|text_align:center|color:%23ffffff” css=”.vc_custom_1526946489643{padding-top: 20px !important;padding-right: px !important;padding-bottom: 15px !important;padding-left: px !important;background-color: #066e9a !important;background-position: center !important;background-repeat: no-repeat !important;background-size: contain !important;}” el_class=”heading-alt”][\/vc_column][\/vc_row][vc_row][vc_column][vc_tta_tabs style=”outline” alignment=”center” active_section=”20″][vc_tta_section title=”LG 02″ tab_id=”lg02-day4″][vc_custom_heading text=”9h00 \u2013 9h40<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522858719086{margin-top: px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: px !important;padding-top: 25px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Robuki<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1527771666276{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522843582148{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527771691846{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]General gathering and announcements relevant for the day ahead followed by robuki<\/em>.<\/p>\n

                                  Second rehearsal<\/strong> for the specially commissioned group piece by Verity LANE.[\/vc_column_text][vc_custom_heading text=”WSF2018 Team<\/mark><\/b>” font_container=”tag:p|font_size:0.8em|text_align:left” css=”.vc_custom_1522845582823{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”10h00 \u2013 11h10<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522859033894{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Large Workshop: SUGAWARA Kuniyoshi \u2013 Dosei 1\/2<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526983607631{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844056239{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527540658707{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]SUGAWARA Kuniyoshi’s workshop about the pieice ‘Dosei’ by SAWAI Hikaru. KIKUCHI Nakao provides koto<\/em> accompaniment. The second part of the workshop follows immediately afterwards at 11h30.<\/p>\n

                                  Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”New Horizons<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23d31d54″ css=”.vc_custom_1527770499248{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”11h30 \u2013 12h40<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522859162635{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Large Workshop: SUGAWARA Kuniyoshi \u2013 Dosei 2\/2<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526983622984{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844409284{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527540681698{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]The second part of the workshop. SUGAWARA Kuniyoshi’s teaches the pieice ‘Dosei’ by SAWAI Hikaru. KIKUCHI Nakao provides koto<\/em> accompaniment.<\/p>\n

                                  Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”New Horizons<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23d31d54″ css=”.vc_custom_1527770484508{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”13h00 \u2013 14h00<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848249109{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Lecture: KAWAMURA Kizan \u2013 Tozan-specific Techniques<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526984329607{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844543823{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527540770291{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]KAWAMURA Kizan, a Tozan Ry\u016b Grand Master and assistant lecturer and a member of the Tozan Ry\u016b Shakuhachi Music Association, the Taizan-kai, will show the various specific techniques used by the Tozan Ry\u016b .<\/p>\n

                                  Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Great Solos<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23c55a11″ css=”.vc_custom_1527770953142{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”14h00 \u2013 15h10<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848221493{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Large Workshop: FURUYA Teruo, KAKIZAKAI Kaoru & MATAMA Kazushi \u2013 Koku 1\/2<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526984433204{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844657315{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527540860281{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]The three main teachers from the Kokusai Shakuhachi Kensh\u016bkan (KSK) present ‘Koku’, one of the major honkyoku<\/em> pieces in their lineage. The workshop\u2019s second part follows immediately afterwards at 11h30.<\/p>\n

                                  Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Great Solos<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23c55a11″ css=”.vc_custom_1527770965750{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”15h30 \u2013 16h40<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848190935{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: 0px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Large Workshop: FURUYA Teruo, KAKIZAKAI Kaoru & MATAMA Kazushi \u2013 Koku 2\/2<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526984451590{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844850136{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527540820712{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]This is the second part of the workshop about honkyoku<\/em> ‘Koku’. Presented by the three main teachers from the Kokusai Shakuhachi Kensh\u016bkan (KSK).<\/p>\n

                                  Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Great Solos<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23c55a11″ css=”.vc_custom_1527770980830{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”17h00 \u2013 18h00<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848154533{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: 0px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Lecture: David HUGHES, Aomori Min’y\u014d Association \u2013 About Min’y\u014d<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526985033088{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844970551{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527540794340{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]David HUGHES, specialist in Japanese traditional folk song, and Aomori Min\u2019y\u014d Association talk about the music tradition min\u2019y\u014d<\/em>.<\/p>\n

                                  Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Great Solos\/Min’y\u014d<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23c55a11″ css=”.vc_custom_1527770994993{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 50px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_separator color=”grey” css=”.vc_custom_1522844970551{padding-right: 25px !important;padding-left: 25px !important;}”][\/vc_tta_section][vc_tta_section title=”LG 01″ tab_id=”lg01-day4″][vc_custom_heading text=”10h00 \u2013 11h10<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522859033894{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: Riley LEE \u2013 Raft Song at Sunrise<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526985543892{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844056239{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527541018375{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Riley LEE’s workshop about ‘Raft Song at Sunrise’ a contemporary composition by Ross EDWARDS.<\/p>\n

                                  LEE began studying the shakuhachi<\/em> in 1971 in Japan. In 1980 Riley became the first non-Japanese acknowledged as a shakuhachi dai shihan<\/em> (Grand Master). His teachers were HOSHIDA Ichizan II, SAKAI Chikuho II and YOKOYAMA Katsuya.<\/p>\n

                                  Intermediate<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”New Horizons<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23d31d54″ css=”.vc_custom_1527770515912{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”11h30 \u2013 12h40<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522859162635{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: YAMADA Fumio \u2013 Fuke sect and Shakuhachi<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526985775822{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844409284{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527540990223{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]A lecture\/workshop about the Fuke sect and their relation to shakuhachi<\/em> presented by YAMADA Fumio.<\/p>\n

                                  Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Great Solos<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23c55a11″ css=”.vc_custom_1527771020024{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”13h00 \u2013 14h00<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848249109{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”tba<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526985997470{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844543823{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1526986012613{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]No activity scheduled yet.
                                  \n<\/em>[\/vc_column_text][vc_custom_heading text=”tba<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23066e9a” css=”.vc_custom_1527770899100{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”14h00 \u2013 15h10<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848221493{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: Michael Soumei COXALL \u2013 Sono no Aki 1\/2<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526986088283{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844657315{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527541041353{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Michael Soumei COXALL presents ‘Sono no Aki’ (A Garden in Autumn) composed by Kikuoka KIKUOKA Kengyo (1791 – 1847) Kikuoka Kengyo was a virtuoso shamisen player and composer in Kyoto who brought traditional jiuta tegotomono <\/em>pieces to a new perfection in the first part of the 19th century. This piece is based on a poem describing the life of the courtesans in the cultured pleasure quarters of Kyoto and comparing them to the seven flowers of autumn.<\/p>\n

                                  The second part of the workshop follows immediately afterwards at 11h30.<\/p>\n

                                  Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Golden Oldies<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23d09d30″ css=”.vc_custom_1527771476642{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”15h30 \u2013 16h40<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848190935{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: 0px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: Michael Soumei COXALL \u2013 Sono no Aki 2\/2<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526986117883{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844850136{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527541075170{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]The second part of the workshop. Michael Soumei COXALL presents ‘Sono no Aki’ (A Garden in Autumn) composed by Kikuoka KIKUOKA Kengyo (1791 – 1847).<\/p>\n

                                  With string accompaniment by Fujimoto FUJIMOTO Akiko and SATO Kikuko.<\/p>\n

                                  Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Golden Oldies<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23d09d30″ css=”.vc_custom_1527771489506{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”17h00 \u2013 18h00<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848154533{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: 0px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Lecture: DAN Shinku \u2013 Fuke Shakuhachi: The idiosyncrasies of making and playing the jinashi nobekan<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526989693824{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844970551{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527541120154{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]DAN Shinku was born in Tokyo in 1955 and has been playing several instruments since childhood. In 1978 he entered TAKAYANAGI Masayuki\u2019s school Renjuku and his main interest shifted towards improvised music. He began to perform improvised music on guitar, moog, synthesizer, saxophone and bamboo flutes.<\/p>\n

                                  Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”The Thing<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23066e9a” css=”.vc_custom_1527770916258{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 50px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][\/vc_tta_section][vc_tta_section title=”RHB 167″ tab_id=”rhb167-day4″][vc_custom_heading text=”10h00 \u2013 11h10<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522859033894{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: Yoshie Asano CAMPBELL \u2013 Kagoshima Oharabushi<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526990289681{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844056239{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527541156594{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Yoshie Asano CAMPBELL\u2019s workshop on min\u2019y\u014d<\/em> singing. A great opportunity to experience this wonderful vocal style, the piece is \u2018Kagoshima Oharabushi\u2019. With the Aomori Min’yo Association.<\/p>\n

                                  Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Golden Oldies\/Min’y\u014d<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23d09d30″ css=”.vc_custom_1527771439489{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”11h30 \u2013 12h40<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522859162635{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: David Kansuke II WHEELER \u2013 \u014cmi Hakkei<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526990509376{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844409284{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527541191904{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]A lecture\/workshop lead by David Kansuke II WHEELER on ‘\u014cmi Hakkei’. A piece in the Yamada style<\/p>\n

                                  Intermediate<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Golden Oldies<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23d09d30″ css=”.vc_custom_1527771458225{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”13h00 \u2013 14h00<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1526990992333{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Lecture: SEKI Ichiro \u2013 Japonism in Europe and Modernism in Japan 2\/2<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526991028370{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844657315{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527541209753{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]SEKI Ichiro gives a lecture about \u2018Japonism in Europe and Modernism in Japan.\u2019 (Second part, first part on Wednesday 1 August at 17h00 in LG 01)<\/p>\n

                                  SEKI is a leading shakuhachi<\/em> performer and composer from Tokyo. He studied shakuhachi with YOKOYAMA Katsuya and composition with AOSHIMA Hiroshi, MIZUNO Shuko, MATSUDAIRA Yoriaki and TAKAHASHI Yuji.<\/p>\n

                                  Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”New Sounds<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23f2734f” css=”.vc_custom_1527770443078{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”14h00 \u2013 15h10<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848221493{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop:YAMADA Fumio \u2013 Ch\u014dshi<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526991350429{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844657315{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527541258140{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]YAMADA Fumio is a designated holder of Aomori Prefecture Intangible Folk Cultural Asset for Nezasa Ha Kinp\u016b Ry\u016b shakuhachi<\/em> teaches the honkyoku<\/em> piece ‘Ch\u014dshi’.<\/p>\n

                                  Elementary<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Great Solos<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23c55a11″ css=”.vc_custom_1527771044604{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”15h30 \u2013 16h40<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848190935{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: 0px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: SUTO Shuho \u2013 To-ri and Koya-san Shingon-shu Shomyo<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1527541763905{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844850136{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527541781382{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Kinp\u016b Ry\u016b shakuhachi<\/em> is suizen, i.e. meditation \/ prayer. Sh\u014dmy\u014d at Koyasan is a praise of Buddha-virtue. For SUTO-san, both Kinp\u016b Ry\u016b and sh\u014dmy\u014d<\/em> chant reverberate out into the heavens with the aim of unity with the great gods and Buddhas. ‘Tori’ (\u901a\u91cc) is also known as a piece that Fuke monks would play as a ‘transfer of merit’ (‘May this good deed extend and spread to all, realizing the Buddha-way in oneself together with all sentient beings’) at the border of the next village looking back on the village just visited, for the people there, including prayer for the village to be safe from disaster. Kinp\u016b Ry\u016b, incidentally, is played vigorously, without plodding phrases or extended intervals.<\/p>\n

                                  Intermediate<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Great Solos<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23c55a11″ css=”.vc_custom_1527771055631{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”17h00 \u2013 18h00<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848154533{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: 0px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Screening: Shakuhachi and the City<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526764652202{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844970551{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527541292883{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Programme tba<\/em><\/p>\n

                                  Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”New Horizons<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23d31d54″ css=”.vc_custom_1527770540375{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 50px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”21h30 \u2013 ?<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1526992143299{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: 0px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Party & Farewell Gathering<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526991838467{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844970551{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1526992026224{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Don’t miss the opportunity to say good-bye and party! The exact location and more details yet to be announced. Entertainment provided by the Aomori Min’y\u014d Association.<\/p>\n

                                  Everybody and all levels welcome!<\/em>[\/vc_column_text][vc_custom_heading text=”Mixed Programme<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23066e9a” css=”.vc_custom_1527770877114{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 50px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][\/vc_tta_section][vc_tta_section title=”RHB 281″ tab_id=”rhb281-day4″][vc_custom_heading text=”10h00 \u2013 11h10<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522859033894{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: TAJIMA Tadashi \u2013 Daha<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526992199340{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844056239{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527541836240{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]TAJIMA Tadashi, one of Japan\u2019s leading international shakuhachi<\/em> performers, and the founder and head of Jikisho Ry\u016b leads a workshop on the honkyoku<\/em> ‘Daha’.<\/p>\n

                                  Intermediate<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Great Solos<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23c55a11″ css=”.vc_custom_1527771074592{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”11h30 \u2013 12h40<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522859162635{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: TAJIMA Tadashi \u2013 Nezasaha Shirabe<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526992232427{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844409284{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527541854569{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]TAJIMA Tadashi, one of Japan\u2019s leading international shakuhachi<\/em> performers, and the founder and head of Jikisho Ry\u016b leads a workshop on the honkyoku<\/em> ‘Nezasaha Shirabe’.<\/p>\n

                                  Intermediate<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Great Solos<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23c55a11″ css=”.vc_custom_1527771088504{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”14h00 \u2013 15h10<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848221493{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: Riley LEE \u2013 Gyo Mukaiji<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526992431374{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844657315{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527541885545{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Riley LEE presents honkyoku<\/em> ‘Gyo Mukaiji’.<\/p>\n

                                  Riley LEE began studying the shakuhachi in 1971 in Japan. In 1980 Riley became the first non-Japanese acknowledged as a shakuhachi dai shihan<\/em> (Grand Master). His teachers were HOSHIDA Ichizan II, SAKAI Chikuho II and YOKOYAMA Katsuya.<\/p>\n

                                  Intermediate<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Great Solos<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23c55a11″ css=”.vc_custom_1527771101824{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”15h30 \u2013 16h40<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848190935{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: 0px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: SEIAN Genshin \u2013 My\u014dan Ch\u014dshi<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526992941108{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844850136{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527541900053{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]SEIAN Genshin, the 42nd kansu<\/em> of My\u014danji Temple in Sanuku, Japan, presents the honkyoku<\/em> ‘My\u014dan Ch\u014dshi’.<\/p>\n

                                  Elementary<\/em><\/span>Intermediate<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Great Solos<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23c55a11″ css=”.vc_custom_1527771115322{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”17h00 \u2013 18h00<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848154533{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: 0px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Lecture: Zac ZINGER \u2013 What is Jazz Shakuhachi, Really?<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526993096606{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844970551{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527541933485{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]The traditional musics of Japan and the USA don’t seem to have much in common \u2013 one fosters deep introspection, while the other encourages radiant expression. So what does “jazz shakuhachi<\/em>” really mean? ZINGER’s lecture seeks to provide an answer by exploring the jazz vocabulary, borrowing traditional shakuhachi<\/em> techniques in the jazz medium, and examining what the concept of this fusion represents culturally.<\/p>\n

                                  Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”New Sounds<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23f2734f” css=”.vc_custom_1527770424564{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 50px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][\/vc_tta_section][vc_tta_section title=”RHB 280″ tab_id=”rhb280-day4″][vc_separator color=”grey” css=”.vc_custom_1522843582148{padding-right: 25px !important;padding-left: 25px !important;}”][vc_custom_heading text=”10h00 \u2013 11h10<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522859033894{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: ZENYOJI Keisuke \u2013 Matsukaze<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526993431939{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844056239{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527542016356{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]ZENYOJI Keisuke presents ‘Matsukaze’ (Yamada style).<\/p>\n

                                  ZENYOJI was initiated into komus\u014d shakuhachi<\/em> at the age of six. Besides holding degrees from Tokyo University of Fine Arts in Japanese Traditional Music, ZENYOJI studied under \u2018Living National Treasure\u2019, YAMAGUCHI Goro.<\/p>\n

                                  Intermediate<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Golden Oldies<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23d09d30″ css=”.vc_custom_1527771381986{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”11h30 \u2013 12h40<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522859162635{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: Christopher Yohmei BLASDEL \u2013 Rokudan<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526993740670{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844409284{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527542205991{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Christopher Yohmei BLASDEL leads a workshop on ‘Rokudan-no-Shirabe’, a piece consisting of six movements with thematic material that is constantly evolving and undergoing change. ‘Rokudan’ is usually considered representative of 16th century Japanese koto<\/em> music and is also almost always included in any overseas performances of traditional Japanese music. This piece is accessible to the foreign audience because it purely an instrumental piece, without lyrics.<\/p>\n

                                  KITAMURA Keiko provides the koto<\/em> accompaniment.<\/p>\n

                                  Elementary<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Golden Oldies<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23d09d30″ css=”.vc_custom_1527771393568{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”14h00 \u2013 15h10<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848221493{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: MIZUNO Komei \u2013 Nebiki no Matsu<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1527542278792{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844657315{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527542293819{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]MIZUNO Komei, Kinko Ry\u016b Chikumeisha, presents a workshop on ‘Nebiki no Matsu’.<\/p>\n

                                  FUJIMOTO Akiko and SATO Kikuko provide the strings accompaniments.<\/p>\n

                                  Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Golden Oldies<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23d09d30″ css=”.vc_custom_1527771405408{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”15h30 \u2013 16h40<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848190935{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: 0px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: Aomori Min’y\u014d Association \u2013 min’y\u014d<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526994448705{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844850136{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527542256622{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Aomori Min\u2019y\u014d Association (Aomori Min\u2019y\u014d Ky\u014dkai) presents a min\u2019y\u014d<\/em> workshop.<\/p>\n

                                  Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Golden Oldies\/Min’y\u014d<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23d09d30″ css=”.vc_custom_1527771417359{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 50px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][\/vc_tta_section][vc_tta_section title=”RHB 268″ tab_id=”rhb268-day4″][vc_custom_heading text=”10h00 \u2013 11h10<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522859033894{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: TANABE Shozan \u2013 Meiky\u014d<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526995845760{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844056239{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527542355119{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]TANABE Shozan leads a workshop on ‘Meiky\u014d’, composed by KINEHA Seiyo in 1950 (shakuhachi<\/em> part and 1975 (shamisen<\/em> part).<\/p>\n

                                  Shamisen<\/em> accompaniment by MIYAZAKI Mieko.<\/p>\n

                                  Intermediate<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”New Sounds<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23f2734f%20″ css=”.vc_custom_1527770364548{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”11h30 \u2013 12h40<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522859162635{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: Riley LEE \u2013 Yamato Ch\u014dshi<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526995878146{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844409284{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527542371556{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Riley LEE presents honkyoku<\/em> \u2018Yamato Ch\u014dshi\u2019.<\/p>\n

                                  Riley LEE began studying the shakuhachi in 1971 in Japan. In 1980 Riley became the first non-Japanese acknowledged as a shakuhachi dai shihan<\/em> (Grand Master). His teachers were HOSHIDA Ichizan II, SAKAI Chikuho II and YOKOYAMA Katsuya.<\/p>\n

                                  Elementary<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Great Solos<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23c55a11″ css=”.vc_custom_1527771141816{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”13h00 \u2013 14h00<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848249109{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”BEGINNERS WORKSHOP with V\u00e9ronique PIRON<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526995940744{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844543823{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1526996155125{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Very good progress.[\/vc_column_text][vc_custom_heading text=”Beginners Activity 7<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23066e9a” css=”.vc_custom_1527770827791{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”14h00 \u2013 15h10<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848221493{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: SUGAWARA Kuniyoshi \u2013 Kata Ashi Torii no Eizo 1\/2<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526996238016{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844657315{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527542429954{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]SUGAWARA Kuniyoshi leads a workshop on ‘Kata Ashi Torii no Eizo’, a composition by SATO Toshinao. The second part of the workshop follows immediately afterwards at 15h30.<\/p>\n

                                  Intermediate<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”New Sounds<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23f2734f” css=”.vc_custom_1527770383692{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”15h30 \u2013 16h40<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848190935{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: 0px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: SUGAWARA Kuniyoshi \u2013 Kata Ashi Torii no Eizo 2\/2<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526996267628{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844850136{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527542439586{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]The second part of the workshop by SUGAWARA Kuniyoshi on ‘Kata Ashi Torii no Eizo’, a composition by SATO Toshinao.<\/p>\n

                                  Intermediate<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”New Sounds<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23f2734f” css=”.vc_custom_1527770395929{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”17h00 \u2013 18h00<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848154533{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: 0px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”BEGINNERS WORKSHOP with V\u00e9ronique PIRON<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526995961377{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844970551{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1526996086605{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Sounds very good already. Congratulations.[\/vc_column_text][vc_custom_heading text=”Beginners Activity 8<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23066e9a” css=”.vc_custom_1527770840872{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 50px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][\/vc_tta_section][vc_tta_section title=”RHB 164″ tab_id=”rhb164-day4″][vc_custom_heading text=”10h00 \u2013 11h10<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522859033894{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: Anne NORMAN \u2013 Techniques in Alternating Sung Lyrics and Blown Notes<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526997485596{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844056239{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527685095668{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]This workshop introduces techniques in alternating sung lyrics and blown notes; unison passages and polyphonic harmonising, and methods to improve intonation and dynamic timbral contrasts. These were partly inspired by the end blown flute songs of the pygmies of Central Africa, and Anne Norman’s desire to accompany herself in song on shakuhachi<\/em>. Participants will receive a page of excerpts and exercises in staff notation with Kinko tablature above it.<\/p>\n

                                  Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”New Horizons<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23d31d54″ css=”.vc_custom_1527770663132{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”11h30 \u2013 12h40<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522859162635{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: James Nyoraku SCHLEFER \u2013 The Art of Practice\/Brooklyn Sanya. <\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526997682936{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844409284{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527542494363{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]In this workshop participants will learn James Nyoraku SCHLEFER’s composition ‘Brooklyn Sanya’, but in addition to simply learning the piece, SCHLEFER will present numerous practice techniques and methods to develop the embouchure, improve sound and strengthen technical ability. Players of all levels will be able to benefit from a renewed joy in daily practice.<\/p>\n

                                  Intermediate<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”New Horizons<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23d31d54″ css=”.vc_custom_1527770681702{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”14h00 \u2013 15h10<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848221493{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: SABU Orimo \u2013 Pieces from Wind Songs<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526998520081{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844657315{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527542566715{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Jinashi<\/em> player SABU Orimo will introduce one of his pieces from ‘Wind Songs’ recording.<\/p>\n

                                  Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”New Horizons<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23d31d54″ css=”.vc_custom_1527770694457{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”15h30 \u2013 16h40<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848190935{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: 0px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: John EDWARDS \u2013 Free Improvisation: London Meets Japan<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526999441067{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844850136{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527542537753{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Double bass player and free improviser John EDWARDS will present his approach to improvisation. A practical workshop. From the series: London meets Japan.<\/p>\n

                                  Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”New Horizons<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23d31d54″ css=”.vc_custom_1527770706443{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”17h00 \u2013 18h00<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848154533{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: 0px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Lecture: Marco LIENHARD \u2013 New Sounds in the USA – Taiko and Shakuhachi<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526999571471{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844970551{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527542525986{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Taiko with bamboo flutes has been performed for many centuries in different settings. In this lecture, Marco LIENHARD outlines a new approach to this combination with samples of the traditional as well as the new.<\/p>\n

                                  Marco LIENHARD is the current director of the New York-based Taikoza (taiko<\/em>, shakuhachi<\/em> and dance ensemble) and, while living in Japoan (1981-1998), was a member of Ondekoza, the legendary Japanese professional Taiko group.<\/p>\n

                                  Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”New Sounds<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23f2734f” css=”.vc_custom_1527770348786{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 50px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][\/vc_tta_section][vc_tta_section title=”RHB 163″ tab_id=”rhb163-day4″][vc_custom_heading text=”10h00 \u2013 11h10<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522859033894{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: Jos\u00e9 Seizan VARGAS \u2013 The Many Ways to be a Shakuhachi: Comparing Old and New Instruments<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1527000301881{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844056239{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527542728513{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]This workshop is intended for participants to listen and play as many different shakuhachi<\/em> as possible, from old Edo jinashi<\/em> to modern style jiari<\/em>. Also, people can bring their shakuhachi<\/em> to be played and tested by other players.<\/p>\n

                                  Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”The Thing<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23066e9a” css=”.vc_custom_1527770775324{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”11h30 \u2013 12h40<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522859162635{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: John Kaizan NEPTUNE \u2013 Tips & Tricks: Ideas for Practice<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1527000480720{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844409284{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527542761093{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]John Kaizan NEPTUNE’s workshop for all levels. Bring a 1.8 and let\u2019s explore how to practice with focus and energy to improve your sound and technique to play the kind of music you want to play!<\/p>\n

                                  Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Mind\/Body<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23597fff” css=”.vc_custom_1527766965269{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”14h00 \u2013 15h10<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848221493{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: SEIAN Genshin \u2013 Breathing and Bodywork for Honkyoku<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1527000651506{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844657315{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527542830018{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]SEIAN Genshin, the 42nd kansu<\/em> of My\u014danji Temple, leads a workshop on breathing and bodywork for honkyoku. <\/em><\/p>\n

                                  Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Great Solos<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23c55a11″ css=”.vc_custom_1527771203594{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”15h30 \u2013 16h40<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848190935{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: 0px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Workshop: MIURA Ryuho \u2013 The Long Road to Shakuhachi: The Development of Long Jiari Making<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1527000975157{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844850136{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527542793656{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]The great shakuhachi<\/em> maker MIURA Ryuho talks about his methods and approach to long jiari shakuhachi<\/em> making.<\/p>\n

                                  Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”The Thing<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23066e9a” css=”.vc_custom_1527770789569{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 50px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”17h00 \u2013 18h00<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1522848154533{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: 0px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Lecture: SHIMURA Zenpo \u2013 The historical development of the shakuhachi: mutating changes<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1527001321045{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844970551{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527542782034{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]SHIMURA Zenpo talks about the historical development of the shakuhachi<\/em>.<\/p>\n

                                  Elementary<\/em><\/span>Intermediate<\/em><\/span>Advanced<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”The Thing<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23066e9a” css=”.vc_custom_1527770799687{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][\/vc_tta_section][vc_tta_section title=”SHOP” tab_id=”shop-day4″][vc_custom_heading text=”10h00 \u2013 20h00<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1526772803969{margin-top: px !important;margin-right: -20px !important;margin-bottom: -5px !important;margin-left: px !important;padding-top: 25px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Shakuhachi Bazaar WSF2018<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526772813940{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522843582148{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1526772951664{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 0px !important;padding-left: 25px !important;}”]A WSF is also a great opportunity to stock up, for example, on difficult to obtain shakuhachi<\/em> CDs, notation and, with many of great makers being present, an excellent time to purchase a new instrument or other merchandise.<\/p>\n

                                  The Shakuhachi Bazaar WSF2018 in RHB 150 provides materials from a variety of sellers and is open all day. There, you will also be able to get that official WSF2018 T-Shirt![\/vc_column_text][vc_custom_heading text=”Shop RHB150<\/mark><\/b>” font_container=”tag:p|font_size:0.8em|text_align:left” css=”.vc_custom_1526772982932{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][\/vc_tta_section][vc_tta_section title=”GREAT HALL” tab_id=”greathall-day4″][vc_custom_heading text=”13h00 \u2013 14h00<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1526823275930{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Lunchtime Concert<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1527772806055{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844056239{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527085718748{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Concert Programme:<\/span><\/p>\n

                                    \n
                                  1. Gunnar Jinmei LINDER, shakuhachi<\/em>; FUJIMOTO Akiko, koto <\/em> \u2013 Kiku no Tsuyu (HIROHASHI Koto)<\/li>\n
                                  2. KODAMA Hiroyuki, shakuhachi<\/em> \u2013 7-dan Tsuru no Sugomori<\/li>\n
                                  3. Yoshie Asano CAMPBELL, voice; Aomori Min’yo Association, shakuhachi<\/em> \u2013 Aizu Bandaisan<\/li>\n
                                  4. OKUDA Atsuya, shakuhachi<\/em> \u2013 Nerisaji<\/li>\n
                                  5. Michael Soumei COXALL, shakuhachi<\/em>; KITAMURA Keiko, koto<\/em> \u2013 Yoru no Uta (HISAMOTO Genchi)<\/li>\n<\/ol>\n

                                    The exact content of the concerts and the order of pieces are still subject to change. The list above is provisional, and will be updated regularly.<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Golden Oldies\/Great Solos<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23d09d30″ css=”.vc_custom_1527771319418{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][vc_custom_heading text=”20h00 \u2013 21h30<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1526823454594{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Grand Finale Concert<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1527001555509{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844409284{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527863220583{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Concert Programme:<\/span><\/p>\n

                                      \n
                                    1. GROUP PIECE, Participants & Soloists \u2013 new commission (Verity LANE) premi\u00e8re<\/em><\/span><\/li>\n
                                    2. David Kansuke II WHEELER, shakuhachi<\/em>; WATANABE Okahana, koto<\/em>; HAGIOKA Yuko, koto<\/em>; SASAKI Chikanoshamisen<\/em> \u2013 \u014cmi Hakkei (YAMATO Manwa)<\/li>\n
                                    3. ISHIKAWA Toshimitu, shakuhachi<\/em>; KIKUCHI Naoko, koto<\/em> \u2013 Kagen Hissho (HIGO Ichiro)<\/li>\n
                                    4. Winner of H\u014dgaku Journal International Shakuhachi Competition \u2013 tba<\/em><\/li>\n
                                    5. KAWAMURA Kizan, shakuhachi<\/em>; MIYAZAKI Mieko, koto<\/em> \u2013 Zangetsu (Minezaki KOTO)<\/li>\n
                                    6. FURUYA Teruo, KAKIZAKAI Kaoru, MATAMA Kazushi, shakuhachi<\/em> \u2013 Fudo (one movement) (KINEYA Seiho)<\/li>\n
                                    7. KURAHASHI Yodo II, shakuhachi<\/em>; TANABE Shozan, shakuhachi<\/em>; SUGAWARA Kuniyoshi, shakuhachi<\/em>; strings: KIKUCHI Naoko, MIYAZAKI Mieko, KITAMURA Keiko, KURAHASHI Ayako; KIMURA Yoko Reikano; TAKAHASHI Yoshie \u2013 Shakuhachi Concerto (Marty REGAN) premi\u00e8re<\/em><\/span><\/li>\n
                                    8. SUGAWARA Kuniyoshi, shakuhachi<\/em>; KIKUCHI Naoko, jushichigen<\/em> \u2013 Dosei (SAWAI Hikaru)<\/li>\n
                                    9. Riley LEE, shakuhachi<\/em> \u2013 Raft Song at Sunrise (Ross EDWARDS)<\/li>\n
                                    10. ZENYOJI Keisuke , shakuhachi<\/em>; WATANABE Okahana, koto<\/em>; HAGIOKA Yuko, koto<\/em>; SASAKI Chikano, shamisen<\/em> \u2013 Matsukaze (NAKANOSHIMA Kengyo)<\/li>\n
                                    11. FURUYA Teruo, shakuhachi<\/em> \u2013 Ukigumo<\/li>\n<\/ol>\n

                                      The exact content of the concerts and the order of pieces are still subject to change. The list above is provisional, and will be updated regularly.<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”Mixed Programme<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23066e9a” css=”.vc_custom_1527771230986{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][\/vc_tta_section][vc_tta_section title=”TOWN HALL” tab_id=”townhall-day4″][vc_custom_heading text=”17h00 \u2013 18h15<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1526825094641{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Afternoon Concert<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526825110859{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844056239{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1532822090907{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Concert Programme:<\/span><\/p>\n

                                        \n
                                      1. TANABE Shozan, shakuhachi<\/em>; MIYAZAKI Mieko, shamisen<\/em> \u2013 Kai (MIYAZAKI M.) premi\u00e8re<\/em><\/span><\/li>\n
                                      2. Ralph SAMUELSON, shakuhachi<\/em> \u2013 Prelude to Watermill (TEIJI Ito)<\/li>\n
                                      3. Steve COHN, shakuhachi<\/em> \u2013 One Man’s Language (Solo improvisation)<\/li>\n
                                      4. SEKI Ichiro, shakuhachi<\/em>; KURODA Reison, shakuhachi<\/em>; KAWAMURA Kizan, shakuhachi<\/em>; OBAMA Akihito, shakuhachi<\/em> \u2013 Composition for four shakuhachi<\/em> based on Japanese folksongs (SEKI I.) premi\u00e8re<\/em><\/span><\/li>\n
                                      5. Horacio CURTI, shakuhachi<\/em> \u2013 Interludes from ‘Home is Now’ (H. CURTI)<\/li>\n
                                      6. Cornelius BOOTS, shakuhachi<\/em> \u2013 Green Swampy Water (C. BOOTS)<\/li>\n
                                      7. Jim FRANKLIN, shakuhachi<\/em> & electronics \u2013 new commission (Daniel James ROSS) premi\u00e8re<\/em><\/span><\/li>\n<\/ol>\n

                                        The exact content of the concerts and the order of pieces are still subject to change. The list above is provisional, and will be updated regularly.<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”New Sounds\/New Horizons<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23f2734f” css=”.vc_custom_1527770282907{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][\/vc_tta_section][vc_tta_section title=”St JAMES” tab_id=”st-james-day4″][vc_custom_heading text=”13h00 \u2013 14h00<\/b>” font_container=”tag:p|font_size:0.9em|text_align:left|color:%23066e9a” css=”.vc_custom_1526825375822{margin-top: 30px !important;margin-right: -20px !important;margin-bottom: -5px !important;padding-top: 40px !important;padding-right: 25px !important;padding-bottom: 3px !important;padding-left: 25px !important;}”][vc_custom_heading text=”Lunchtime Concert<\/b>” font_container=”tag:p|font_size:1.3%20em|text_align:left” css=”.vc_custom_1526848410657{margin-top: px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 5px !important;padding-left: 25px !important;}”][vc_separator color=”grey” css=”.vc_custom_1522844056239{padding-right: 25px !important;padding-left: 25px !important;}”][vc_column_text css=”.vc_custom_1527693414551{margin-top: -20px !important;margin-right: -20px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}”]Concert Programme:<\/span><\/p>\n

                                          \n
                                        1. Elizabeth BROWN \u2013 Dialect (E. BROWN) premi\u00e8re<\/em><\/span><\/li>\n
                                        2. Zac ZINGER, shakuhachi<\/em>; Alan BENZIE, piano \u2013 Jazz improvisation<\/li>\n
                                        3. Adrian FREEDMAN, shakuhachi<\/em> \u2013 Seijaku, Stillness (A. FREEDMAN)<\/li>\n
                                        4. ORIMO Sabu, shakuhachi<\/em>; Jennifer ALLUM, violin \u2013 Free improvisation<\/li>\n
                                        5. HOSHIIDA Ichizan, shakuhachi<\/em> \u2013 Yes You Are (YOSHINURI Nashiki)<\/li>\n
                                        6. KURODA Reison, shakuhachi<\/em>; John EDWARDS, double bass \u2013 Free improvisation<\/li>\n<\/ol>\n

                                          The exact content of the concerts and the order of pieces are still subject to change. The list above is provisional, and will be updated regularly.<\/em><\/span>[\/vc_column_text][vc_custom_heading text=”New Horizons<\/b>” font_container=”tag:p|font_size:0.8em|text_align:left|color:%23d31d54″ css=”.vc_custom_1527770740922{margin-top: 0px !important;margin-right: -20px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 25px !important;padding-bottom: 10px !important;padding-left: 25px !important;}” el_class=”heading-alt”][\/vc_tta_section][\/vc_tta_tabs][\/vc_column][\/vc_row][vc_row][vc_column][vc_custom_heading text=”Notes ” font_container=”tag:h5|text_align:center|color:%23ffffff” css=”.vc_custom_1527765712242{padding-top: 20px !important;padding-right: px !important;padding-bottom: 15px !important;padding-left: px !important;background-color: #066e9a !important;background-position: center !important;background-repeat: no-repeat !important;background-size: contain !important;}” el_class=”heading-alt”][vc_column_text css=”.vc_custom_1527766142842{margin-top: 20px !important;padding-top: 20px !important;padding-right: 20px !important;padding-bottom: 15px !important;padding-left: 20px !important;background-color: rgba(34,34,34,0.06) !important;*background-color: rgb(34,34,34) !important;}”]premi\u00e8re<\/em><\/span> special commissions and new compositions written for the WSF2018 in London.<\/p>\n

                                          \n

                                          Elementary<\/em><\/span> assumes that the player can obtain kari<\/em> notes in otsu<\/em> with reasonable security, is familiar with kan<\/em> notes, even if still learning to produce them reliably, and has some basic idea of meri<\/em> notes, even if intonation may be unstable.<\/p>\n

                                          Intermediate<\/em><\/span> assumes that the player is secure with kari<\/em> notes in otsu<\/em> and kan<\/em>, and is capable of producing meri<\/em> notes reliably in both octaves, with reasonably reliable intonation<\/p>\n

                                          Advanced<\/em><\/span> assumes that the player has a high degree of proficiency and control in production of meri<\/em> and kari<\/em> tones in otsu<\/em> and kan<\/em>, and is familiar with daikan<\/em> notes. Intonation is reliable and stable, with good control of shaping and shading of dynamics, timbre and pitch.<\/p>\n

                                          Please note:<\/strong> It is sometimes useful for participants to attend workshops at higher level than that at which they find themselves. If one attempts to play at least slightly beyond one’s perceived capacity, one often discovers that, particularly in the synergy of a group workshop, one is carried by the group to a higher level. Additionally, even if one cannot play at the required level, the experience of hearing a piece taught by an expert teacher and of hearing more advanced players working on it can lead to insights into the nature of one’s own limitations and how to overcome them. So simply sitting in on and listening to a workshop at a higher level can be a valuable experience.<\/p>\n

                                          For an outline of the 5 Themes (Great Solos, Golden Oldies, New Sounds, New Horizons and The Thing) please see our About WSF2018 <\/a>page.<\/strong>[\/vc_column_text][vc_custom_heading text=”WSF2018 room guide” font_container=”tag:h5|text_align:center|color:%23ffffff” css=”.vc_custom_1515692740169{padding-top: 20px !important;padding-right: px !important;padding-bottom: 15px !important;padding-left: px !important;background-color: #066e9a !important;background-position: center !important;background-repeat: no-repeat !important;background-size: contain !important;}” el_class=”heading-alt”][vc_column_text css=”.vc_custom_1527765306889{margin-top: 20px !important;padding-top: 20px !important;padding-right: 20px !important;padding-bottom: 15px !important;padding-left: 20px !important;background-color: rgba(34,34,34,0.06) !important;*background-color: rgb(34,34,34) !important;}”]\u5927\u30db\u30fc\u30eb<\/strong> \u2013 \u5927\u30db\u30fc\u30eb \u2013 \u30ea\u30c1\u30e3\u30fc\u30c9\u30fb\u30db\u30ac\u30fc\u30c8\u30fb\u30d3\u30eb(\u672c\u9928)\u5185\u30b4\u30fc\u30eb\u30c9\u30b9\u30df\u30b9\u30fb\u5927\u30db\u30fc\u30eb
                                          \n\u753a\u653f\u5e81\u820e<\/strong> \u2013 \u30c7\u30c3\u30c8\u30d5\u30a9\u30fc\u30c9\u753a\u653f\u5e81\u820e\u4f1a\u8b70\u5ba4
                                          \n\u30bb\u30f3\u30c8\u30fb\u30b8\u30a7\u30fc\u30e0\u30ba<\/strong> \u2013 \u30bb\u30f3\u30c8\u30fb\u30b8\u30a7\u30fc\u30e0\u30ba \u2013 \u30bb\u30f3\u30c8\u30fb\u30b8\u30a7\u30fc\u30e0\u30ba\u30fb\u30cf\u30c3\u30c1\u30e3\u30e0\u30fb\u30d3\u30eb
                                          \nLG01\u968e\u3068LG02\u968e<\/strong> \u2013 \u30b9\u30c1\u30e5\u30a2\u30fc\u30c8\u6559\u6388\u30db\u30fc\u30eb\u30fb\u30d3\u30eb\u5185 \u30ec\u30af\u30c1\u30e3\u30fc\u30fb\u30db\u30fc\u30eb\uff11\u30682
                                          \nRHB 163, 164, 167, 168, 280, 281<\/strong> \u2013 \u30ea\u30c1\u30e3\u30fc\u30c9\u30fb\u30db\u30ac\u30fc\u30c8\u30fb\u30d3\u30eb\u5185\u8907\u6570\u306e\u6559\u5ba4 (\u672c\u9928)
                                          \n\u58f2\u5e97<\/strong> \u2013 \u30ea\u30c1\u30e3\u30fc\u30c9\u30fb\u30db\u30ac\u30fc\u30c8\u30fb\u30d3\u30eb(\u672c\u9928)\u5185RHB 150 (\u672c\u9928)
                                          \n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_custom_heading text=”Goldsmiths Campus map” font_container=”tag:h5|text_align:center|color:%23ffffff” css=”.vc_custom_1515692721899{padding-top: 20px !important;padding-right: px !important;padding-bottom: 15px !important;padding-left: px !important;background-color: #066e9a !important;background-position: center !important;background-repeat: no-repeat !important;background-size: contain !important;}” el_class=”heading-alt”][vc_single_image source=”external_link” external_img_size=”1170×799″ alignment=”center” onclick=”zoom” custom_src=”https:\/\/files.wsf2018.com\/testing-dev\/campus-map-sep-17-test.png”][\/vc_column][\/vc_row][vc_row width=”stretch_row” options=”window_height” vsc_bg_repeat=”repeat-x” vsc_bg_size=”auto” vsc_bg_image=”4479″][vc_column][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"

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